tag:blogger.com,1999:blog-62036455890871786932024-03-14T07:19:18.225+01:00NETZWERK AKS | Platform for Contemporary Dance + ArtAndrea K. Schlehweinhttp://www.blogger.com/profile/12501265617978303867noreply@blogger.comBlogger265125tag:blogger.com,1999:blog-6203645589087178693.post-45768311917080809922024-02-20T19:39:00.003+01:002024-02-20T19:48:17.691+01:00O . P . E . N . morning classes @ART SPACE stift millstatt - starting in March<div class="separator" style="clear: both;">
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<span style="font-family: Century Gothic;">Impulsen folgen . Gewohnheiten erkennen . Körperstrukturen erfahren
. Bewegungsfreude aktivieren . Mitmachen!! </span><br />
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<span style="font-family: Century Gothic;">In diesem Jahr gibt es wieder die Möglichkeit, bei unseren
beliebten
<span style="color: #a64d79;"><a href="https://netzwerkaks.blogspot.com/p/open.html" target="_blank">Morgentrainings und Körperarbeit-Modulen</a></span>
mitzumachen. Offen für alle, die Interesse haben, versiert
angeleitet von uns:</span>
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<span style="font-family: Century Gothic;">Follow impulses . Recognize habits . Experience body structures .
Activate the joy of movement . Join us!! </span><br />
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<span style="font-family: Century Gothic;">This year you will once again have the opportunity to take part
in our popular
<span style="color: #a64d79;"><a href="https://netzwerkaks.blogspot.com/p/open.html" target="_blank">morning training sessions and bodywork modules</a></span>. Open to everyone who is interested, expertly led by us:</span>
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<span style="font-family: Century Gothic; font-size: medium;">Andrea K. Schlehwein + NETZWERK AKS
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<p><span style="font-family: Century Gothic;">Hier der Kalender 2024 / here's the schedule for 2024: </span></p>
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<div style="padding: 0em; text-align: left;"><b>11-15 03 2024</b></div>
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<div style="padding: 0em; text-align: left;"><b>Wild Fields / Play</b></div>
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<div style="padding: 0em; text-align: left;"><b>with Maria Mavridou</b></div>
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<div style="padding: 0em; text-align: left;"><b>27-31 05 2024</b></div>
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<div style="padding: 0em; text-align: left;"><b>Wild Fields / Play</b></div>
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<div style="padding: 0em; text-align: left;"><b>with Maria Mavridou</b></div>
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<div style="padding: 0em; text-align: left;"><b>03-05 06 2024*</b></div>
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Catching the Impulse
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with Andrea K. Schlehwein
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<div style="padding: 0em; text-align: left;"><b>10-14 06 2024</b></div>
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<div style="padding: 0em; text-align: left;"><b>Mobile Strength</b></div>
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with Jerneja Fekonja
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<div style="padding: 0em; text-align: left;"><b>17-21 06 2024</b></div>
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<div style="padding: 0em; text-align: left;"><b>Flow Motion</b></div>
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<div style="padding: 0em; text-align: left;"><b>with Petra Peček</b></div>
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<div style="padding: 0em; text-align: left;"><b>24/28 06 2024</b></div>
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<div style="padding: 0em; text-align: left;"><b>Making Connections</b></div>
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<div style="padding: 0em; text-align: left;"><b>with Jye Hwei Lin</b></div>
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<div style="padding: 0em; text-align: left;"><b>15-19 07 2024</b></div>
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Catching the Impulse
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with Andrea K. Schlehwein
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<div><br /><br /></div><div><span style="font-family: Century Gothic; font-size: medium;">Details zu den einzelnen Kursen finden Sie <a href="https://netzwerkaks.blogspot.com/p/open.html" target="_blank"><b><span style="color: #a64d79;">HIER</span></b></a>.</span></div><div><span style="font-family: Century Gothic; font-size: medium;">Click<span style="color: #a64d79;"> <a href="https://netzwerkaks.blogspot.com/p/open.html" target="_blank"><b><span style="color: #a64d79;">HERE</span></b></a> </span>for detailed information about each course.</span></div><div><br /><br />
<table style="border: 0px solid rgb(0, 0, 10); font-family: "century gothic";"><tbody><tr><td valign="top" width="345"><div style="padding: 0em 1em 0em 0em; text-align: justify;"><span style="font-family: Century Gothic;"><!---GERMAN TEXT---></span><div style="text-align: left;"><span style="font-family: Century Gothic;">Uhrzeit/Time</span></div><div style="text-align: left;"><span style="font-family: Century Gothic; font-size: medium;">10.00 – 12.00 h</span></div><div style="text-align: left;"><span style="font-family: Century Gothic;">Wir starten pünktlich um 10 Uhr!</span></div><div style="text-align: left;"><span style="font-family: Century Gothic;">Der ART SPACE ist ab 09:45 offen.</span></div><div style="text-align: left;"><span style="font-family: Century Gothic;">We start at 10:00 am sharp, please be on time! The ART SPACE is open from 09:45.</span></div></div></td><td valign="top" width="345"><div style="padding: 0em; text-align: justify;"><span style="font-family: Century Gothic;"><!---ENGLISH TEXT---></span><div style="text-align: right;"><span style="font-family: Century Gothic;">Kosten/Costs:</span></div><div style="text-align: right;"><span style="font-family: Century Gothic;">1 Sesssion = €15</span></div><div style="text-align: right;"><span style="font-family: Century Gothic;">5 Tage/days = €60</span></div><div style="text-align: right;"><span style="font-family: Century Gothic;">*3 Tage/days = € 40</span></div></div></td></tr></tbody></table>
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<span style="font-family: "Century Gothic";">Das international tätige Label Andrea K. Schlehwein + NETZWERK AKS besteht
aus erfahrenen Expert:innen, Tänzer:innen, Choreograf:innen,
Professor:innen, Tanztheoretiker:innen, die - im Sinne von Life Long
Learning - versiert eigene Methoden entwickeln und intensiv Themen über
Körper, Tanz , Anatomie, Sportmedizin, Mobilität, Vermittlung erforschen und
praktizieren.</span><br />
</div><blockquote style="border: medium; margin: 0px 0px 0px 40px; padding: 0px;"><div style="text-align: left;"><span style="font-family: "Century Gothic";">The internationally active label Andrea K. Schlehwein + NETZWERK AKS consists of experienced experts, dancers, choreographers, professors and dance theorists who - in the spirit of Life Long Learning - develop their own methods and intensively research and practice topics about the body, dance, anatomy, sports medicine, mobility and mediation.</span></div></blockquote>
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-33425789089195883082024-02-14T14:34:00.004+01:002024-02-14T14:38:49.293+01:00<p>
<span style="font-family: Century Gothic;">
Der Text <i>Aktions ORT : Körper . Kunst RAUM : TANZ</i> von Andrea K.
Schlehwein (siehe letzten BLOG-Eintrag) wurde nun auch im
südkoreanischen Online-Kulturmagazin
<b>the preview </b> veröffentlicht.</span
>
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<span style="font-family: Century Gothic;"
>The text <i>PLACE of Action : Body . SPACE of Art : DANCE</i> by Andrea K. Schlehwein (see previous BLOG post) was recently published
in the Korean online art magazine <b>the preview.</b></span
>
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→ <span style="font-family: Century Gothic;"
><a href="http://www.thepreview.co.kr/news/articleView.html?idxno=8912" target="_blank"
>http://www.thepreview.co.kr/news/articleView.html?idxno=8912</a
></span
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-33535022936651911292023-12-17T15:08:00.003+01:002023-12-17T15:13:08.408+01:00Aktions ORT : Körper . Kunst RAUM : TANZ<div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; font-family: "Century Gothic"; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI9t7VsIFIkjynmSTDHnBLRH6F-FLXWy5PIs-E9dYQtyaMKSwhyETkgDhjeUpjrHXu9egJMUMtxGwpxCXzKOjG-anUOMCpX1rgSY_RsoFiDfVwkvwVg22Rtl9qRxYyGC4ji35zIjDQzf-OFJ_IZDdUp_m8IZmJTkjAUDF2UqKYhH1xs5bx9wc44hARpp8c/s1303/A.%20K.%20Schlehwein_Die%20Signatur%20des%20%20Mo%CC%88glichen_Bru%CC%88cke%20Dec:Jan%202024.jpg " style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;" target="_blank"><img alt="Aktions ORT : Körper" border="0" data-original-height="935" data-original-width="1303" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI9t7VsIFIkjynmSTDHnBLRH6F-FLXWy5PIs-E9dYQtyaMKSwhyETkgDhjeUpjrHXu9egJMUMtxGwpxCXzKOjG-anUOMCpX1rgSY_RsoFiDfVwkvwVg22Rtl9qRxYyGC4ji35zIjDQzf-OFJ_IZDdUp_m8IZmJTkjAUDF2UqKYhH1xs5bx9wc44hARpp8c/w419-h301/A.%20K.%20Schlehwein_Die%20Signatur%20des%20%20Mo%CC%88glichen_Bru%CC%88cke%20Dec:Jan%202024.jpg" title="Aktions ORT : Körper" width="419" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-size: x-small;">zuerst erschienen in DIE BRÜCKE Nr. 39, Dez 2023</span></td></tr></tbody></table><h3 style="text-align: left;"><span style="font-family: Open Sans;">Die Signatur des Möglichen</span></h3><p style="font-family: "Century Gothic";"><span style="font-family: Century Gothic;">Ein Text von Andrea K. Schlehwein</span><br /></p><p style="font-family: "Century Gothic";"><span style="font-family: Century Gothic;">+++ Please scroll down for English +++</span></p><p style="font-family: "Century Gothic";">Die Kunstform Tanz, die ephemerste und facettenreichste aller aktuellen Künste, ist ob ihrer immanent breit gefächerten Möglichkeiten prädestiniert, als Vertreterin zeitgenössischer Ästhetik und gesellschaftskritischer Reflektion zu agieren.</p><p style="font-family: "Century Gothic";">Heute gibt es weder den einen Tanz noch den einen ‚Tanz-Raum‘. Jede zeitgenössische Choreographie bringt ihren eigenen Tanz hervor, jede Tanzproduktion definiert jeweils den Raum neu, den sich Zuschauer:- und Künstler:innen im Moment der Aufführung als lebendigen Resonanzraum teilen.</p>
<p style="font-family: "Century Gothic";">Charakterisiert durch Neugier und Resilienz, durch Risikobereitschaft und Raumerkundung, durch Verschiebung bestehender ästhetischer wie konventioneller Grenzen, geprägt durch multimediale Interdisziplinarität, Integration neuer Formate und Phänomene, der Inklusion von Diversitätsgedanken und Offenheit für Subkulturen, transformiert der zeitgenössische Tanz auf direktem Wege heutige Erfahrungs- und Wirklichkeitsmuster und setzt stimulierende Impulse - hinaus über den flexibel zu definierenden Kunstraum ‚Theater‘, hinein in den gesellschaftlichen Realitätsraum.</p>
<p style="font-family: "Century Gothic";">Die Tanzkunst ist gestalteter Ausdruck unserer irritierend verstörenden, global geprägten Gegenwart. Sie ist eine perfekte Metapher für die Fragilität des menschlichen Lebens, verschwindet sie doch einen Wimpernschlag nach dem Moment ihrer Manifestation. Die Tänzer:innen gestalten den Raum in Echtzeit und arbeiten in einer Ausdrucksform, die sich ständig im Zustand des Verschwindens befindet. Ensembles und Tanzkollektive setzen sichtbare Akzente, sind sie doch international besetzt und zeigen, wie heute eine einende Sprache auf multikultureller, fachlich relevanter Basis adaptiert und gesprochen werden kann.</p>
<p style="font-family: "Century Gothic";">Räume sind veränderbare Gebilde. Der tanzende Mensch selbst ist ein in sich bewegter wie emotional bewegender Raum. Seine Kinesphäre steht im regen Austausch mit dem weiteren Umfeld. Wechselwirkungen entstehen, Bewusstsein für situative Wahrnehmung wird geschärft, zeitkritische Zeichen und Bilder-in-Motion politisch agierender Körper werden im Konnex des jeweiligen choreographischen Konzeptes abgebildet.</p>
<p style="font-family: "Century Gothic";">Als Experimentierfeld für sorgfältig gearbeitete Kunstkonzepte kann Tanz heute selbstbewusst überall stattfinden. Urbane Räume und Naturlandschaften werden zu Kunstvenues. Tanz behauptet sich an den ungewöhnlichsten Orten, dehnt deren architektonische Begrenzung und erweitert sie um inhaltliche Komponenten. Es bilden sich Laboratorien ästhetischer wie tanztheoretischer Modelle, in denen sich unerwartet Substantielles im Dialog zwischen Territorium und Situation, Klima und Krise, Individuum und Gesellschaft herauskristallisiert.</p>
<p style="font-family: "Century Gothic";">Die Aufhebung der Zentralperspektive, der Geometrie klassischer Bühnenchoreographie, hat tiefgreifenden Wandel initiiert. Seither findet im Tanz konstante Veränderung statt: die Befreiung vom festen Bewegungskanon des Balletts, von vordefinierter Publikumserwartung, die Auflösung der klassischen Ordnung eines klar definierten Raum-Zeit-Gefüges in der Guckkastenbühne mit eigens für den Tanz komponierter Musik.</p>
<p style="font-family: "Century Gothic";">In tanztheoretischer wie gesellschaftsperspektivischer Ausrichtung findet ein konstanter Paradigmenwechsel in der Bewegungskunst statt. Substantiell bleiben die dem Tanz innewohnenden Gestaltungskriterien: Raum, Zeit, Form, Dynamik/Phrasierung. Diese sind für alle Stilrichtungen und Epochen der Tanzgeschichte integrale Faktoren. Sie eint ein raumsprengendes Anliegen, die Ausrichtung in die Vertikale, die Überwindung der Schwerkraft im Moment des Fliegens als Ausdruck eines uralten Menschheitswunsches, Kulturkreise übergreifend, der Dynamik und dem Rausch verpflichtet, überbordend und bildgewaltig.</p>
<p style="font-family: "Century Gothic";">Die Auseinandersetzung mit dem Elevationsprinzip geht mit einer ständigen Verschiebung von theoretischen wie praktischen Grenzen einher und weit über die Beherrschung reiner Tanztechnik und Stilbewusstsein hinaus. Wer fliegen will, kann dies nicht trainieren, proben und physisch denken, ohne die Welt im Blick zu haben. Vorausgesetzt ist ein humanistisches Weltbild, ein geschärftes Bewusstsein für den umgebenden - auch sozialen - Raum und die sich jeweils bietenden Chancen wie Barrieren.</p>
<p style="font-family: "Century Gothic";">Räume als Orte der Kunst haben sich fundamental neu orientiert. Bildstarke Blickwinkel erobern unkonventionelle Areale und geben ihnen eine neue Bedeutung. Wirklichkeit will verstanden, abgebildet und benannt werden. Heute wird ein urbaner Alltagsraum zum Kunstraum transformiert, in dem nach wie vor die Tanzkunst bestimmende Anliegen formuliert werden. Eine multiperspektivische Gleichberechtigung in Choreographie und Tanz erlaubt die Wahrnehmung des Raumes als eine in sich veränderbare, dreidimensionale Skulptur, die definiert wird durch permeable, mobile Konturen, durch Objekte und Subjekte, Ideen und Gedanken.</p>
<p style="font-family: "Century Gothic";">Ob aus prekärer Not oder Sinn für spannende Narration, dem zeitgenössischen Tanz liegt eine
flexible Organisationsform zu Grunde, die risikobereit und frech alternative, bühnenraumferne Gebiete erforscht, ästhetisch mehrdimensionale Konzepte neu definiert und Themen wie Gesellschaftskritik, Chaos, Gewalt, Transgression, Hierarchie, Synergetik und offene Systeme auf tanztheoretischer, naturwissenschaftlicher und künstlerisch-ästhetischer Ebene auf ihre Tauglichkeit hin überprüft.</p>
<p style="font-family: "Century Gothic";">Genuine Darstellungsmöglichkeiten werden ergriffen, Handlungen müssen weder linear noch narrativ verlaufen, unterschiedliche Ereignisse sind in Simultaneität inszeniert, das Spiel mit dem Zufall und koordinierenden Tools visualisiert Strukturen und deren Zerfall, die Diskontinuität von Figuren, den Verzicht auf identifizierbare Räume.</p>
<p style="font-family: "Century Gothic";">Dialog findet mehrdimensional in alle Richtungen statt, vom Zentrum zur Peripherie und umgekehrt, als Diagonale oder Spirale, auf räumlichen und binnenkörperlichen Metaebenen, letztlich als Geometrie überwindende Raumfigur, ob Kunst oder soziales Ereignis, als singuläre Landschaft in gesellschaftlichem Kontext.</p>
<p style="font-family: "Century Gothic";">Mehr denn je zuvor ist eine Tanzkünstler:in ein Individuum. Verkörpert zeitgemäß die Einheit von Körper, Seele, Geist, ist ein lebendiges, kritisches Statement, das die systemische Enge von kultureller Tradition und Ausbildung hinter sich lässt; Genderklischees hinterfragt und Identität neu definiert; sie flexibel adaptiert auf die Gesetzmäßigkeiten eines sich durch Kriege und Krisen beständig verändernden Weltraumes.</p>
<p style="font-family: "Century Gothic";">Unsere Körper sind heute ebenso privat wie politisch, sind Ort und Raum des kulturellen Bewusstseins, des Widerstands und der politischen Aktion.</p><br />
<hr style="font-family: "Century Gothic";" /><span style="font-family: Century Gothic;">
+++ ENGLISH +++
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<h2 style="text-align: left;"><span style="font-family: Open Sans;">PLACE of Action : Body<br />SPACE of Art : DANCE</span></h2>
<h4 style="font-family: "Century Gothic"; text-align: left;"><br /></h4><h3 style="text-align: left;"><span style="font-family: Open Sans;">The Signature of Possibility</span></h3>
<p style="font-family: "Century Gothic";">A text by Andrea K. Schlehwein</p><p style="font-family: "Century Gothic";">The art of dance, the most ephemeral and multifaceted of all current art forms, due to its intrinsically versatile potential is predestined to act as a proxy of contemporary aesthetics and socio-critical reflection.</p>
<p style="font-family: "Century Gothic";">Today, there is not just the one dance or the one 'dance space'. Each contemporary choreography develops its own dance, each dance production redefines the space that viewers and artists share in the moment of the performance as a living, resonating space.</p>
<p style="font-family: "Century Gothic";">Characterized by curiosity and resilience, by risk-taking and an exploration of space, by challenging existing aesthetic and conventional boundaries, shaped by multimedia interdisciplinarity, by integrating new formats and phenomena, by including ideas of diversity and an openness to subcultures, contemporary dance directly transforms current patterns of experience and reality and provides stimulating impulses – out of the flexibly defined art space 'theatre‘, into the space of social reality.</p>
<p style="font-family: "Century Gothic";">The art of dance is a creative expression of our irritatingly unsettling globalized present. It is a perfect metaphor for the fragility of human life, as it disappears in a blink of an eye after the moment of its manifestation. Dancers shape the space in real time and work in a form of expression that is constantly in a state of disappearance. Ensembles and dance collectives set visible accents with their international casts and show how a unifying language can be adapted and spoken on a multicultural, technically relevant basis.</p>
<p style="font-family: "Century Gothic";">Spaces are changeable structures. The dancing body itself is a space in motion as well as emotionally moving. Its kinesphere is in a lively dialogue with the wider environment. Interrelations emerge, the awareness of situational perception is sharpened, sociocritical signs and images-in-motion of politically acting bodies are depicted in the context of the respective choreographic concept.</p>
<p style="font-family: "Century Gothic";">Dance, as an experimental field for carefully crafted art concepts, can take place anywhere these days. Urban spaces and natural landscapes are turned into art venues. Dance asserts itself in the most unusual places, stretches their architectural boundaries and expands them to include thematic components. Laboratories for aesthetic and dance-theoretical models are established, in which something unexpectedly substantial emerges from a dialogue between territory and situation, climate and crisis, individual and society.</p>
<p style="font-family: "Century Gothic";">The abolition of the central perspective and the geometry of classical stage choreography has initiated a profound change. Since then, dance has constantly been transforming: the liberation from the fixed movement canon of ballet, from predefined audience expectations, the dissolution of the classical order of a clearly defined space-time structure in the proscenium stage with music specifically composed for dance.</p>
<p style="font-family: "Century Gothic";">In terms of dance theory and social perspective, a constant paradigm shift is taking place in the art of movement. What remains essential are the formative criteria inherent to dance: space, time, form, dynamics/phrasing. These are integral factors for all styles and eras of dance history. They are united by a concern for the expansion of space, the vertical orientation, the defiance of gravity in the moment of flight as an expression of an ancient human desire, across cultures, committed to dynamism and intoxication, exuberant and visually powerful.</p>
<p style="font-family: "Century Gothic";">Exploring the elevation principle goes hand in hand with a constant shifting of theoretical and practical boundaries and far beyond the mastery of pure dance technique and stylistic awareness. Whoever wants to fly cannot train, rehearse and physically think this without keeping an eye on the world. The prerequisite is a humanistic worldview, a heightened awareness of the surrounding – also social – space and all the opportunities and barriers that present themselves.</p>
<p style="font-family: "Century Gothic";">Spaces as art locations have undergone a fundamental reorientation. Visually strong perspectives conquer unconventional settings and give them a new meaning. Reality wants to be understood, depicted and named. Today, everyday urban spaces are being transformed into art spaces in which concerns determining the art of dance continue to be formulated. A multi-perspective equality in choreography and dance allows for a perception of space as a mutable, three-dimensional sculpture that is defined by permeable, mobile contours, by objects and subjects, ideas and thoughts.</p>
<p style="font-family: "Century Gothic";">Whether out of a precarious need or a thirst for exciting narration, contemporary dance is based
on a flexible mode of organisation that is keen to take risks and boldly explores alternative territories far beyond the stage, aesthetically redefines multidimensional concepts and examines the viability of topics such as social critique, chaos, violence, transgression, hierarchy, synergetics and open systems on dance-theoretical, scientific and artistic-aesthetic levels. </p>
<p style="font-family: "Century Gothic";">Genuine modes of expression are embraced, plots do not have to be linear or narrative, disparate events are staged simultaneously, the play with chance and coordination tools visualizes structures and their disintegration, the discontinuity of characters and the renunciation of identifiable spaces.</p>
<p style="font-family: "Century Gothic";">Dialogue takes place multidimensionally in all directions, from the centre to the periphery and vice versa, in diagonals or spirals, on spatial and intracorporeal meta levels, ultimately as a spatial figure that transcends geometry, be it art or social event, as a singular landscape in a social context.</p>
<p style="font-family: "Century Gothic";">Now more than ever, dance artists are individuals. Embodying the unity of body, soul and mind in line with the times; existing as living, critical statements overcoming the systemic narrowness of cultural tradition and education; questioning gender clichés and redefining identity; flexibly adapting them to the laws of a world space that is constantly changing due to wars and crises.</p>
<p style="font-family: "Century Gothic";">Today, our bodies are as private as they are political; they are the site and space of cultural awareness, resistance and political action.</p>
<p style="font-family: "Century Gothic"; text-align: right;"><span style="font-size: x-small;">Translation: Roman Zotter</span></p></div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-49912975743154898862023-12-13T18:08:00.002+01:002023-12-17T13:04:22.038+01:00<div style="text-align: center;">
<span style="font-size: medium;"><span style="font-family: "Century Gothic";">Einige Eindrücke von der Ausstellungseröffnung</span>
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<div style="text-align: center;">
<span style="font-family: Century Gothic; font-size: medium;">Some impressions from the opening of the exhibition</span>
</div><div style="text-align: center;"><b style="font-family: "Century Gothic"; font-size: x-large;">prunkvoll prächtig</b></div>
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<span style="font-family: "Century Gothic";"><b><span style="font-size: large;">die Tafel ein Fest</span></b></span>
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<span style="font-family: "Century Gothic";">[FKc] FORUM KUNST contemporaray @ ART SPACE stift millstatt</span>
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<div style="text-align: center;">
<span style="font-family: "Century Gothic";">Galeristin Eleonore Schäfer</span>
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<span style="font-family: "Century Gothic";"><br /></span>
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<span style="font-family: "Century Gothic";">mit einer Lesung des Schriftstellers . </span><span style="font-family: "Century Gothic";">with a reading by the writer</span>
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<span style="font-family: "Century Gothic";"><b><span style="font-size: large;"> Marco Sagurna</span></b></span>
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<div style="text-align: center;"><span style="font-family: "Century Gothic";">und der Choreographie . </span><span style="font-family: "Century Gothic";">and the choreography</span></div>
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<span style="font-family: "Century Gothic";"><b><span style="font-size: large;">small dances without title</span></b></span>
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<span style="font-family: "Century Gothic";"><span style="font-size: medium;">Andrea K. Schlehwein + NETZWERK AKS</span></span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: "Century Gothic";"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid6O_cBHMyvEs8ktuke2orikJxD7t85i4kFkJNjwq8-jtyTX7cYtwihkcokeiGLe-DU6MNb5ofK3wdn5KzOxW7bYKbJdlr9m1rt9CNXhyEGxoLvb6UTkmYgvmSeSHFEFmfRevSuYnuxNv3kJ3tBoi12RzlmllxyIlutHPHKLhIXNKwce0eOqh91igLiAmf/s3500/collage%20small%20dances2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3500" data-original-width="1580" height="1444" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid6O_cBHMyvEs8ktuke2orikJxD7t85i4kFkJNjwq8-jtyTX7cYtwihkcokeiGLe-DU6MNb5ofK3wdn5KzOxW7bYKbJdlr9m1rt9CNXhyEGxoLvb6UTkmYgvmSeSHFEFmfRevSuYnuxNv3kJ3tBoi12RzlmllxyIlutHPHKLhIXNKwce0eOqh91igLiAmf/w652-h1444/collage%20small%20dances2.jpg" width="652" /></a></div></span></span>
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<span style="font-family: Century Gothic; font-size: medium;">Die Ausstellung läuft noch bis</span>
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<span style="font-family: Century Gothic; font-size: medium;">The exhibition continues until</span>
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<span style="font-family: Century Gothic; font-size: large;"><b>30. Dezember 2023</b></span><br />
<span style="font-size: medium;"><span style="font-family: Century Gothic;">Mittwoch - Samstag . W</span><span style="font-family: "Century Gothic";">ednesday - Saturday </span></span>
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<span style="font-family: "Century Gothic";"><span style="font-size: medium;">15:00 - 18:00</span></span>
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<span style="font-family: "Century Gothic";">und nach telefonischer Terminvereinbarung</span>
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<span style="font-family: "Century Gothic";">and by telephone appointment</span>
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<span style="font-family: "Century Gothic";"><span style="font-size: medium;">+43 676 418 5528</span></span>
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<span style="font-family: "Century Gothic";"><br /></span>
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<span style="font-family: "Century Gothic";"><div style="text-align: center;"><span style="font-family: "Century Gothic";"><br /></span></div>CREDITS</span>
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<span style="font-family: "Century Gothic";">Inszenierung der Eröffnung: Andrea K. Schlehwein</span>
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<span style="font-family: "Century Gothic";">Team: Brigitte Büsken . Laura Rossbacher</span>
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<span style="font-family: "Century Gothic";"><br /></span>
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<div style="text-align: center;">
<span style="font-family: "Century Gothic"; font-size: medium;"><b>small dances without title</b></span>
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<div style="text-align: center;">
<span style="font-family: "Century Gothic";">Choreographie: Andrea K. Schlehwein</span>
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<span style="font-family: "Century Gothic";">Tänzerinnen: Jerneja Fekonia . Unita Gay Galiluyo . Petra Peček</span>
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<span style="font-family: "Century Gothic";"><br /></span>
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<span style="font-family: "Century Gothic";">Photos</span>
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<span style="font-family: "Century Gothic";">Stanislaus Kernjak . Marco Sagurna . Maria . Renaldo . </span><span style="font-family: "Century Gothic";">Andrea K. Schlehwein .</span><span style="font-family: "Century Gothic";"> </span><span style="font-family: "Century Gothic";"> Manuela Widmer</span>
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</div><br />rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-8469872996169858232023-11-10T16:31:00.005+01:002023-11-10T18:41:41.086+01:00small dances without title @ ART SPACE stift millstatt<div>
<span style="font-family: century gothic;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtbkNX8YS4nowDNebcEBoMyo5c6iVuScZSmgNffDFNbczoavs8qTqVO2m8noPnaVlyIPIX6eIAKtpKN7lD5AHcrcheqWrFsK-mMVvyu5kD2UUhYjEg6oTvYqj9h8MvhOkX13PJddrC2sXgpwhCU_LCqE5ZuUZw_2qZGqK5mnDXq6IUSeU7oZfON72Mj8Tf/s800/small%20dances.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="147" data-original-width="800" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtbkNX8YS4nowDNebcEBoMyo5c6iVuScZSmgNffDFNbczoavs8qTqVO2m8noPnaVlyIPIX6eIAKtpKN7lD5AHcrcheqWrFsK-mMVvyu5kD2UUhYjEg6oTvYqj9h8MvhOkX13PJddrC2sXgpwhCU_LCqE5ZuUZw_2qZGqK5mnDXq6IUSeU7oZfON72Mj8Tf/w716-h132/small%20dances.jpg" width="716" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-size: x-small;">Photos: Selina Nuart</span></td></tr></tbody></table><br /></span></div>
<blockquote style="border: medium; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><div style="text-align: center;"><span style="font-family: "century gothic"; text-align: center;">Andrea K. Schlehwein + NETZWERK AKS</span>
</div>
<span style="font-family: "century gothic"; font-size: large; text-align: center;"><div style="text-align: center;">small dances without title</div></span><span style="font-family: "century gothic"; text-align: center;"><div style="text-align: center;">
@ VERNISSAGE of [FKc] FORUM KUNST contemporary
</div></span><span style="font-family: "century gothic"; font-size: large; text-align: center;"><div style="text-align: center;">18 Nov 2023 18:00</div></span>
<div style="text-align: center;">
<span style="font-family: century gothic;"><span style="font-size: medium;"> ART SPACE stift millstatt</span></span>
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<div style="text-align: left;"><br /></div>
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<div style="color: #666666; font-family: "century gothic"; text-align: center;">
+++ <a href="#ENGsmalldance">Please scroll down for English</a> +++
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<hr />
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<div style="font-family: "century gothic";">
Das Label für Tanz,
<span style="color: #666666;"><b>Andrea K. Schlehwein + NETZWERK AKS</b></span>
nimmt die bevorstehende Vernissage der aktuellen Gruppenausstellung
<span style="color: #666666;"><b>prunkvoll prächtig die Tafel ein Fest</b></span>
von Eleonore Schäfer und
<span style="color: #666666;"><b>[FKc] FORUM KUNST contemporary</b></span>
zum Anlass, um in das festliche Ambiente der Eröffnung hinein einige
kleine Tänze, wie es die Choreographin nennt, zu erarbeiten und dem
geladenen Publikum zu präsentieren.<br />
<br />
Angesichts der sich in unvorstellbarem Ausmaß zuspitzenden Lage in der
Welt drückt es einem die Kehle zu. Nach ‚prunkvoll und prächtig‘ ist mir
nicht zumute, mich tröstet aber, dass der Erlös dieses Eröffnungsabends,
also Spenden, Buffetcoupons und natürlich der Verkauf der ausgestellten
Werke, zu einem gewissen Prozentsatz an Menschen in Not geht, die es hier
in Kärnten ebenfalls gibt. Die Künstler:innen sind längst unter Vertrag
und es gehört dazu, Absprachen einzuhalten, sich nicht vom Weltgeschehen
erpressen zu lassen, es gleichwohl in die Weiterarbeit einfließen zu
lassen. Nachdenkliche Akzente lassen sich hoffentlich immer setzen. Und
vielleicht ist in dieser Zeit gerade die Akzentuierung des farbenfrohen,
trotzdem morbiden, die Erinnerung an die eigene Endlichkeit und die
Besinnung auf die Pflicht des Carpe Diem ebenfalls ein Gebot der
Stunde.<br /><br />
<hr />
<span style="font-family: century gothic;"><div style="text-align: center;">ENGLISH</div></span>
<hr />
<div style="font-family: "century gothic";">
<br />
<div>
The label for dance,
<span style="color: #666666;"><b>Andrea K. Schlehwein + NETZWERK AKS</b></span>, takes the upcoming vernissage of the group exhibition <b><span style="color: #666666;">prunkvoll prächtig die Tafel ein Fest</span></b> by Eleonore Schäfer and
<span style="color: #666666;"><b>[FKc] FORUM KUNST contemporary</b></span> as an opportunity to create a few 'small dances', as the
choreographer calls them, for the festive ambience of the opening and
present them to the invited audience.
</div>
<div><br /></div>
<div>
The unfathomable escalation of the world situation makes your stomach
churn. Although I don't really feel like '<i>prunkvoll prächtig</i> –
pomp and splendor', I am comforted by the fact that a percentage of
the proceeds from this opening, i.e. donations, buffet coupons and of
course sales of the exhibited works, will go to people in need, who do
exist here in Carinthia as well. The artists have been under contract
for a long time and it is important to stick to agreements, not to be
blackmailed by world events, but nonetheless let these events flow
into your work. Thoughtful accents can always be set, I hope. And
perhaps an emphasis on the colourful, yet morbid, a reminder of one's
own mortality and a contemplation of our commitment to Carpe Diem is
also necessary at this time.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqKdQ5tixE6bbbZt_lk-KsrgQSdoHGL4CdKrZ_z1JPxP8uNdg7c3fhAbh2jQfGmTclHiztU0oQdYPFULcatQrs2NUaFf8ZYUZ5eICzgkXSFpWmMoBLl2xW33mL07RjRjo2xtsBgDvRardRS70FJXs4B4NMQh9FshM1fGbjJ85XwP3WbIAZGCw7WC2dNlG/s992/Josef%20Fischnaller_Fleisch%202014.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="579" data-original-width="992" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqKdQ5tixE6bbbZt_lk-KsrgQSdoHGL4CdKrZ_z1JPxP8uNdg7c3fhAbh2jQfGmTclHiztU0oQdYPFULcatQrs2NUaFf8ZYUZ5eICzgkXSFpWmMoBLl2xW33mL07RjRjo2xtsBgDvRardRS70FJXs4B4NMQh9FshM1fGbjJ85XwP3WbIAZGCw7WC2dNlG/s320/Josef%20Fischnaller_Fleisch%202014.jpg" width="320" /></a>
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<td class="tr-caption" style="text-align: center;">
<span style="font-size: x-small;">Josef Fischnaller - Fleisch</span>
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<span style="color: #666666; font-size: large;"><b>small dances without title</b></span><br /> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglS65gcB1R_qtELWm_B-eOHssKMZkWV0PxL62bTKOfStEDL_O1R9WteSOCQhW8AxSegIFK1Uat5A26nttqB0d_DcpKNxwaom-MwFcLlhkDxDOQd0XvyKjM4tfEPcBVSB38fbUXC5fiXoE_JkGhx05NRSAK82i1EwL60oT2V366wsttBFuh4zCGoOd5UGNh/s2500/small%20dances%20without%20title_JoH@andreakschlehwein.com.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="982" data-original-width="2500" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglS65gcB1R_qtELWm_B-eOHssKMZkWV0PxL62bTKOfStEDL_O1R9WteSOCQhW8AxSegIFK1Uat5A26nttqB0d_DcpKNxwaom-MwFcLlhkDxDOQd0XvyKjM4tfEPcBVSB38fbUXC5fiXoE_JkGhx05NRSAK82i1EwL60oT2V366wsttBFuh4zCGoOd5UGNh/w338-h133/small%20dances%20without%20title_JoH@andreakschlehwein.com.jpg" width="338" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-size: x-small;">Photo: Jo Hermann</span></td></tr></tbody></table><br /><span style="font-size: medium;">
18 Nov 2023 18:00<br />
ART SPACE stift millstatt</span><br />
VERNISSAGE<br />
'prukvoll prächtig eine Tafel ein Fest'<br />
[FKc] FORUM KUNST contemporary<br />
<br />
<br />choreography . artistic direction <br />Andrea
K. Schlehwein <br /><br />dance . creation <br />Neja
Fekonja <br />Petra Pecek <br />Unita Gay
Galiluyo <br /><br />costume . light . sound <br />aks <br /><br />props
. constructions <br />Brigitte Büsken <br /><br />büro für
tanz | theater | produktionen 2023
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-91391274612060966512023-10-29T16:31:00.008+01:002023-11-10T18:41:59.225+01:00一期一會 [Ichi-go Ichi-e]<div style="font-family: "century gothic";"><h3>Jye-Hwei Lin about the creation process towards "kompositionen<sup>1-4"</sup></h3></div>
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<span style="font-family: century gothic;">
<p style="text-align: left;"><a href="#DEkompo"><span style="color: #36454F;">+++ Deutsche Übersetzung im Anschluss +++</span></a></p>
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<div style="font-family: "century gothic";"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxF7C65DAEgtBvTRksXG2BkP5iqE2wSUPT2SApVwJXVBY3x94ny39Ifxmr19-zfgoCX8joslKepOAlpZBoTh-hy6mlxPPh9TyR4Z81oyfgy0j1HlDgcqfgewCkWPGCU8eSg1tIvyLB46-E2HF9L1MasT9jukBiUhFuYT1mLBPDBpPRmLmQl2O5NqkGZReM/s4032/IMG_1307.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxF7C65DAEgtBvTRksXG2BkP5iqE2wSUPT2SApVwJXVBY3x94ny39Ifxmr19-zfgoCX8joslKepOAlpZBoTh-hy6mlxPPh9TyR4Z81oyfgy0j1HlDgcqfgewCkWPGCU8eSg1tIvyLB46-E2HF9L1MasT9jukBiUhFuYT1mLBPDBpPRmLmQl2O5NqkGZReM/w290-h217/IMG_1307.jpg" width="290" /></a></div>
I remember the day we sat around the kitchen table with paper in hands. Andrea was sharing the concept - Kompositionen, her inspiration and a striking scene of Maria’s dance from previous year. This is the meeting point where ideas are being visualized and words pass on from body to body. It is where I find myself arrive at “working”.<br />
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Early in the process, we felt it is important for each one of us to find out what felt important to anchor ourself along the way. We spent some time, go and search individually, to fill ourselves. Words, dreams, reflects, possibilities. For a little while, we were on our own universe. Yet we stay close with each other’s parallel universe. Time seems fast, one simply follows each pull from the inner voice. Each day seems to have something new awaiting to be discovered. Every little thing becomes important.<br />
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As we move forward, like streams join together to form a river. How do we divert the stream to form a ground that can contain all bodies of water. How do we see the space? How do we inhabit ourselves in a collective creating space? How do we stay connected with what felt honest to each one’s own process?<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7PIcYqvDd6EPCyvjJtlr5AXdP_pFuWG9VvL9PhhaONY-EfqVkNeGprwoIsVRmY0fgAAAnNWYsh_lLoqqaXzjQ71zE0o7S61FdOo2Pviamzg3JYEOKcDi3VC5iGjuWHLPH0QNF5yANjLtEkLvjsfxWiv5LIZQtMr1KpmxBvIYToZncfVEUOR6bCJNizGWm/s1800/kompositionen_ro-4833.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1800" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7PIcYqvDd6EPCyvjJtlr5AXdP_pFuWG9VvL9PhhaONY-EfqVkNeGprwoIsVRmY0fgAAAnNWYsh_lLoqqaXzjQ71zE0o7S61FdOo2Pviamzg3JYEOKcDi3VC5iGjuWHLPH0QNF5yANjLtEkLvjsfxWiv5LIZQtMr1KpmxBvIYToZncfVEUOR6bCJNizGWm/w313-h209/kompositionen_ro-4833.jpg" width="313" /></a>Negotiations and compromises. Exciting and overwhelming.<br />
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Together we build out thoughts and materials. We ask questions, exchange perspectives. We trash some ideas and build new constructions. We agree some and disagree some. The constant effort to blur the boundaries. To scratch the surface and to see what we don’t see. Patience and trust. Bodies in space. Present tense. Physical and mental experiences. From the past to encounter new experiences. Where does this dance work situate in the here and now?
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Ichi-go ichi-e ( 一期一會), One time One meet. With the artistic direction of Andrea, with the amazing colleagues that I get to be with- Unita, Neja, Maria and Roman. I feel privileged and in awe to be sharing this journey with you all. <p></p>
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<p style="text-align: right;"><span>Photos: Andrea K. Schlehwein, Roman Zotter</span></p>
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<span style="font-family: century gothic;">DEUTSCH
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<h3>Jye-Hwei Lin über den Entstehungsprozess von "kompositionen<sup>1-4"</sup></h3>
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<div style="font-family: "century gothic";"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6hkbGga1OLy018rqPApvidYmug4gmSAk3EV5csScULoIgdI4k2WyLLlj0TPDg0NvRVzU_e0QNbe1GNH1j56OKGYX9be3eS0XgXserczZWaoqRvKIHRTpcij_GeQbf_BOtumU3m4toedI6gpdy_GvYI8P_mbO6ODA8YR-D5saa-5HI04lvaemDrxfe47QC/s4032/IMG_1308.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6hkbGga1OLy018rqPApvidYmug4gmSAk3EV5csScULoIgdI4k2WyLLlj0TPDg0NvRVzU_e0QNbe1GNH1j56OKGYX9be3eS0XgXserczZWaoqRvKIHRTpcij_GeQbf_BOtumU3m4toedI6gpdy_GvYI8P_mbO6ODA8YR-D5saa-5HI04lvaemDrxfe47QC/w311-h233/IMG_1308.jpg" width="311" /></a></div>
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Ich erinnere mich an den Tag, als wir mit Zetteln in den Händen um den Küchentisch saßen. Andrea sprach über ihr Konzept – Kompositionen, was sie inspirierte, und sie zeigte uns eine eindrucksvolle Szene von Marias Tanz aus dem vergangenen Jahr. Das ist der Ort des Zusammentreffens, in dem Ideen visualisiert und Wörter von Körper zu Körper weitergegeben werden. Es ist hier, wo ich mich beim "arbeiten" einfinde.<br />
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Zu Beginn des Prozesses war es uns wichtig, dass wir alle für uns selbst herausfinden, was uns wichtig erscheint, um uns selbst entlang des Weges zu verankern. Wir nahmen uns Zeit, individuell auf die Suche zu gehen, uns anzureichern. Worte, Träume, Reflektionen, Möglichkeiten. Eine Zeit lang befanden wir uns in unserem eigenen Universum. Und doch bleiben wir nah dran an den Paralleluniversen der anderen. Die Zeit erscheint schnell, man folgt jedem Drängen der inneren Stimme. Jeder Tag hält etwas Neues bereit, das entdeckt werden will. Jede Kleinigkeit ist bedeutsam.<br />
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Im Laufe der Zeit bewegen wir uns wie Bäche, die sich zu einem Fluss vereinen. Wie lenken wir diesen Strom, um eine Grundlage zu bilden, die alle Gewässer aufnehmen kann? Wie sehen wir den Raum? Wie erschließen wir einen gemeinsamen Gestaltungsraum? Wie bleiben wir mit dem verbunden, was sich für den eigenen Prozess ehrlich anfühlt?<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgosFzezYAVbuHAeFFzc0KHhxCE2e4odzeQsuH3JkfSdIgc4ERZPyqUL8I5DhF1D1K7rwVwppB-TU90kijvNZGoLpSgmXeOQKLLqaIYA3fVpRTxV2SD7ooEd3Ina-YIPkCbWGlLnOMmRAwu4UD7mnq93b2A8xooJ5eOEOrWi8UnYd1sqruWQPW4nuULDl_J/s4032/IMG_1315.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgosFzezYAVbuHAeFFzc0KHhxCE2e4odzeQsuH3JkfSdIgc4ERZPyqUL8I5DhF1D1K7rwVwppB-TU90kijvNZGoLpSgmXeOQKLLqaIYA3fVpRTxV2SD7ooEd3Ina-YIPkCbWGlLnOMmRAwu4UD7mnq93b2A8xooJ5eOEOrWi8UnYd1sqruWQPW4nuULDl_J/w283-h212/IMG_1315.jpg" width="283" /></a></div>Verhandlungen und Kompromisse. Spannend und überwältigend.<br />
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Gemeinsam erarbeiten wir Gedanken und Materialien. Wir stellen Fragen, tauschen Perspektiven aus. Wir verwerfen manchen Ideen und arbeiten an neuen Konstruktionen. Über manches sind wir uns einig, über anderes uneinig. Ein ständiges Bemühen, die Grenzen zu verwischen. An der Oberfläche zu kratzen und zu sehen, was wir nicht sehen können. Geduld und Vertrauen. Körper im Raum. Gegenwart. Körperliche und geistige Erfahrungen. Aus der Vergangenheit auf neue Erfahrungen stoßen. Wo verortet sich dieses Tanzstück im Hier und Jetzt?<br />
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Ichi-go ichi-e ( 一期一會), Ein Zeitraum, ein Zusammentreffen. Unter der künstlerischen Leitung von Andrea, mit den wundervollen Kolleginnen und Kollegen, die mich umgeben – Unita, Neja, Maria und Roman. Ich fühle mich privilegiert und bin voller Staunen, dass ich diese Reise mit euch allen teilen kann.<br />
<br /><p style="text-align: right;">Fotos: Andrea K. Schlehwein, Roman Zotter<br />Übersetzung: Roman Zotter</p>
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</div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-44323014326119937982023-08-18T12:24:00.003+02:002023-11-10T18:42:13.722+01:00kompositionen1-4 Premiere 25 Aug @ART SPACE stift millstatt<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGeyT3OgvMadn9wjpSk42NwwULwqu009TEhWnHMXs9x2LRPkSrGF9ndQXSRMuLkSOQFeM4RUv16wXWs4MqgOuXQ4adBbZJV_Br-DValnImV-E32Sle0XaTNU3t8K0bJ5BTRTtqTvOdXGVCGORgjRGrtY79yD8Ct5gxlsk1fvU_P7nu7ZcDRAhd7fc7yYbO/s1200/kompositionen__aks_6.jpg" style="display: block; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="506" data-original-width="1200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGeyT3OgvMadn9wjpSk42NwwULwqu009TEhWnHMXs9x2LRPkSrGF9ndQXSRMuLkSOQFeM4RUv16wXWs4MqgOuXQ4adBbZJV_Br-DValnImV-E32Sle0XaTNU3t8K0bJ5BTRTtqTvOdXGVCGORgjRGrtY79yD8Ct5gxlsk1fvU_P7nu7ZcDRAhd7fc7yYbO/s600/kompositionen__aks_6.jpg" width="100%" /></a></div>
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<a href="#ENGkomp14"><span style="color: black;"> ↓ Please scroll down for English ↓ </span></a>
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<p style="font-family: "century gothic";"><b>Unsere Körper erinnern sich ...</b></p>
<p style="font-family: "century gothic";"></p><div class="separator" style="clear: both; font-family: "century gothic"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiojVuQh-epRaaSVm6zHHcNdcLb5EWGO8fc32RgvMsRYNH4zM_G0uQqnReNQoLkNx8V8e_fyNwMkDW8WDxpW3eCIVVZkN17s_JLDNU8Q66VSS7cWr5lQkv7laES23pJ0tsdv6c2BiGGl6wppgsYxhJ8y0a95CF1wYefmUZTEkdGC8IPjFGp266z6MGBm9v/s1200/kompositionen__aks_7.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiojVuQh-epRaaSVm6zHHcNdcLb5EWGO8fc32RgvMsRYNH4zM_G0uQqnReNQoLkNx8V8e_fyNwMkDW8WDxpW3eCIVVZkN17s_JLDNU8Q66VSS7cWr5lQkv7laES23pJ0tsdv6c2BiGGl6wppgsYxhJ8y0a95CF1wYefmUZTEkdGC8IPjFGp266z6MGBm9v/w272-h204/kompositionen__aks_7.jpg" width="272" /></a></div><span style="font-family: "century gothic";">Unsere Körper erinnern im alltäglichen Tun oftmals unvermittelt Handgriffe und Situationen, die weit entfernt in unserem Gehirn verschüttet gelagert sind. Obwohl sie sich unserem direkten Zugriff entziehen, sind sie spürbar anwesend und prägen unseren Alltag.</span><p style="font-family: "century gothic";"></p>
<p style="font-family: "century gothic";">Die Art und Weise, wie ich das Geschirrtuch falte, noch einmal darüberstreiche – die Richtung, der Druck meiner Hand. Plötzlich wird mir bewusst: so hat es meine Großmutter immer gemacht, der ich als kleines Mädchen gerne im Haushalt zusah. Und das ist viele Jahre her.</p>
<p style="font-family: "century gothic";">Was bedeutet diese kleine Episode für unser Leben, für die Art und Weise mit der wir anderen Menschen, Dingen, unserem Beruf begegnen? Wie wirken sich unsere Sozialisierung und Prägung auf unser Heute aus? Wo sind die Grenzen der Möglichkeit zur persönlichen Veränderung? Wie wichtig ist der Rückblick auf die Heimat, in der wir als Kind lebten? Wie wesentlich waren die ersten Jahre unserer Ausbildung als Tänzerin? Welchen Einfluss haben sie noch immer auf unsere Persönlichkeit? Welche Gewohnheiten können wir ablegen, welche physischen Bewegungen und intellektuellen Sichtweisen sind uns sprichwörtlich in Fleisch und Blut übergegangen?</p>
<p style="font-family: "century gothic";"></p><div class="separator" style="clear: both; font-family: "century gothic"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3mrOBkeIaySrMwOrtLEr3zkhOTB9Eo4hMmdRV3bdUovFJCvEn6wad4_EHm8Pp0kt6PWOoTHtXCIQe_feIUTKar3sj0J_c1kZ95ieSVwhFr34dfcNY1dvQORGHsd4fyA9nrQJ3zHI-ZOsoufkWBy2NpSTDYJMaul0y6UXGIUBI1QqKU91e7UHHJUUXeFp-/s1200/kompositionen__aks_5.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3mrOBkeIaySrMwOrtLEr3zkhOTB9Eo4hMmdRV3bdUovFJCvEn6wad4_EHm8Pp0kt6PWOoTHtXCIQe_feIUTKar3sj0J_c1kZ95ieSVwhFr34dfcNY1dvQORGHsd4fyA9nrQJ3zHI-ZOsoufkWBy2NpSTDYJMaul0y6UXGIUBI1QqKU91e7UHHJUUXeFp-/w310-h233/kompositionen__aks_5.jpg" width="310" /></a></div><span style="font-family: "century gothic";">Wie wir Materialien berühren, ihre Beschaffenheit verstehen wollen, Form und Bildgebung betrachten, ist Thema der aktuellen Arbeit von Andrea K. Schlehwein + NETZWERK AKS, die momentan im ART SPACE stift millstatt im Kollektiv geprobt wird und Ende August Premiere hat.</span><p style="font-family: "century gothic";"></p>
<p style="font-family: "century gothic";">Zu sehen sind drei Soli dreier eigenwilliger NETZWERK AKS Tänzerinnen, die alle von ein und demselben Konzept, derselben Quelle ausgehen, sich dann aber individuell in ganz unterschiedliche Richtungen begeben. </p>
<p style="font-family: "century gothic";">Die Erforschung von Material / Beschaffenheit / Form / Bild hat sich zu einem inhaltlich breit gefächerten, durch Farbe und Emotion geprägten Theaterabend entwickelt.</p>
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<span style="font-family: century gothic;">ENGLISH
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<p style="font-family: "century gothic";"><b>Our bodies remember ...</b></p><p style="font-family: "century gothic";"></p><div class="separator" style="clear: both; font-family: "century gothic"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwBZrUS2HG8RYPSJpbP4Q0QjfFrg6Hd8tmsbtciJF65FzCRR2eYWeXUR-Iall5qHscr-y0fs7yDlX-BQtggfNyFAVXAsPxiwjBF-CnoVEPTJooNbd0ZkKEfvyxuNe2MsdzFdBig3LHw8zZjxPvF-3nTvrMboPtS5HOZOfLN1Tvag7chCqqIJQpzQCGo2Pg/s1200/kompositionen__aks_3.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwBZrUS2HG8RYPSJpbP4Q0QjfFrg6Hd8tmsbtciJF65FzCRR2eYWeXUR-Iall5qHscr-y0fs7yDlX-BQtggfNyFAVXAsPxiwjBF-CnoVEPTJooNbd0ZkKEfvyxuNe2MsdzFdBig3LHw8zZjxPvF-3nTvrMboPtS5HOZOfLN1Tvag7chCqqIJQpzQCGo2Pg/w277-h208/kompositionen__aks_3.jpg" width="277" /></a></div><span style="font-family: "century gothic";">Our bodies, in their everyday activities, often suddenly recall actions and situations that have been buried far away in our brains. Although they elude our direct access, they are noticeably present and shape our everyday life.</span><p style="font-family: "century gothic";"></p>
<p style="font-family: "century gothic";">The way I fold the tea towel, brush over it one more time – the direction, the pressure of my hand. Suddenly I realise: this is how my grandmother used to do it, whom I loved to watch doing her household chores when I was a little girl. Many years ago.</p>
<p style="font-family: "century gothic";">What does this little episode tell us about our lives, about the way we encounter other people, things, our profession? How do our socialisation and upbringing affect our today? Where are the limits to the possibility of personal change? How important is it to look back at the place or home we lived in as a child? How crucial were the first years of our training as dancers? What influence do they still have on our personality? Which habits can we shake off, which physical movements and intellectual perspectives have proverbially become part of our flesh and blood?</p>
<p style="font-family: "century gothic";"></p><div class="separator" style="clear: both; font-family: "century gothic"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghQk-EmoF00Yha6POD-UlQz_KO4_TS38IZ_g7SjpMgLTUgIBw7E7tcXg0L1TXSoYtsSS0t31BpFKacKMb0dtvbtIgE-4ODb6capN4_Le4pXm8-LbWR2SXvlBeVS-w1Jp2vqnQrRDFMOSVe0dWSJ1QVkRk7xz-6ZKO0kQOfXH0ftmpzgCb7Ft_0K6UI-knv/s1200/kompositionen__aks_10.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghQk-EmoF00Yha6POD-UlQz_KO4_TS38IZ_g7SjpMgLTUgIBw7E7tcXg0L1TXSoYtsSS0t31BpFKacKMb0dtvbtIgE-4ODb6capN4_Le4pXm8-LbWR2SXvlBeVS-w1Jp2vqnQrRDFMOSVe0dWSJ1QVkRk7xz-6ZKO0kQOfXH0ftmpzgCb7Ft_0K6UI-knv/w299-h225/kompositionen__aks_10.jpg" width="299" /></a></div><span style="font-family: "century gothic";">The way we touch certain materials, want to understand their texture, look at form and image is the subject of the current work by Andrea K. Schlehwein + NETZWERK AKS, which is currently being rehearsed at ART SPACE stift millstatt and will premiere at the end of August.</span><p style="font-family: "century gothic";"></p>
<p style="font-family: "century gothic";">The work consists of three solos by three idiosyncratic NETZWERK AKS dancers, all starting from the same concept, the same source, but then moving on individually in completely different directions. </p>
<p style="font-family: "century gothic";">The exploration of material / texture / form / image has evolved into a diverse performance evening characterised by colour and emotion.</p><p style="font-family: "century gothic";"><br /></p>
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kompositionen</span></b><sup><sup><span style="font-size: medium;">1-4<br /></span></sup></sup><span style="font-size: medium;">
Andrea K. Schlehwein + NETZWERK AKS</span><br />
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Premiere 25 AUG . 20:00</span></b><br /><b>
Performances<span style="font-size: medium;"> 26 . 27 . 29 AUG . 20:00</span></b><br />
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ART SPACE stift millstatt</span></b><br />
Stiftgasse 1 . 9872 Millstatt . Austria<br />
Info +43 (0)4766 35250<br />Contact +43 (0)676 782 9753 | aks.office@andreakschlehwein.com<br />
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<div style="font-family: "century gothic";"><br /></div><div><div style="font-family: "century gothic"; text-align: center;">CREDITS</div><div style="text-align: center;"><span style="font-family: "century gothic";"><br /></span></div><span style="font-family: "century gothic";"><div style="text-align: center;">Concept Development – Unita Gay Galiluyo . Jye Hwei Lin . Andrea K. Schlehwein</div></span><span style="font-family: "century gothic";"><div style="text-align: center;">Performance . Dance . Creation – Jerneja Fekonja . Unita Gay Galiluyo . Jye Hwei Lin</div></span><span style="font-family: "century gothic";"><div style="text-align: center;">Photos . Films . Texts<b> –</b> all</div></span><span style="font-family: "century gothic";"><div style="text-align: center;">Voices – Brigitte Büsken . Unita Galiluyo . Jye Hwei Lin</div></span><span style="font-family: "century gothic";"><div style="text-align: center;">BLOG . Grafic Layout . Translations . Teaser – Roman Zotter</div></span><span style="font-family: "century gothic";"><div style="text-align: center;">Feedback . final rehearsal phase – Maria Mavridou</div></span><span style="font-family: "century gothic";"><div style="text-align: center;">Production + Think Tank – büro für tanz | theater | produktionen</div></span>
<div style="text-align: center;"><br /></div><span style="font-family: "century gothic";"><div style="text-align: center;">Supported by Land Kärnten . BMKOES</div></span></div><div style="font-family: "century gothic";"><br /></div>
</div></div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com1tag:blogger.com,1999:blog-6203645589087178693.post-25969363976603774982023-08-01T15:49:00.006+02:002023-11-10T18:42:30.448+01:00Tanz im ART SPACE stift millstatt . 4 Aug 2023Solo von Mani Obeya, Cie. Willi Dorner
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<h2>ME - NMU - AMI</h2>
<h4>Ein Tanzsolo. Mani Obeya, Cie. Willi Dorner</h4>
<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivMlIAsuVLz6jwtIHImQJ-CYMjK0Ojz_3kUO7bwGX8VhJyNsAxkSJlqZDuoAMc16gY98MS7jtj3eQNC6SyHk0lu6sPWYrw8oZUa9D7gZ1-xT1EjHcTGY7yykFtrfl0UlBGNncH-bs84LYR355ujnR5X-j_OAfsZSdr90QLhQT-kEeth2KOUAKRg0VvrBRB/s3604/Me-nmu-ami_Dorner_Obeya.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Mani Obeya" border="0" data-original-height="3604" data-original-width="2362" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivMlIAsuVLz6jwtIHImQJ-CYMjK0Ojz_3kUO7bwGX8VhJyNsAxkSJlqZDuoAMc16gY98MS7jtj3eQNC6SyHk0lu6sPWYrw8oZUa9D7gZ1-xT1EjHcTGY7yykFtrfl0UlBGNncH-bs84LYR355ujnR5X-j_OAfsZSdr90QLhQT-kEeth2KOUAKRg0VvrBRB/w191-h291/Me-nmu-ami_Dorner_Obeya.jpg" title="ME-NMU-AMI . Mani Obeya" width="190" /></a></div>ME - NMU - AMI, so lautet der Titel eines vielbeachteten Tanzsolos, das der Tanzkünstler Mani Obeya am<br /> 4. August um 20 Uhr in der von Andrea K. Schlehwein kuratierten Gastspielserie TANZ im ART SPACE stift millstatt dem interessierten Publikum darbietet.<p></p>
<p>„Unsere Körper sind politisch“, lautet das Fazit des in Nigeria geborenen und in Großbritannien aufgewachsenen Tänzers, der uns eine Stunde lang, versiert dargeboten, von seinem schwierigen Start in der Tanzwelt erzählt.</p>
<p>Das Solo ME-NMU-AMI entstand in Zusammenarbeit mit dem österreichischen Choreografen Willie Dorner. Die drei Silben des Titels bedeuten alle ICH - auf Englisch und in zwei nigerianischen Dialekten. Mani Obeya bedient sich hier gekonnt unterschiedlichster Tanzstile. Das klassische Ballett ist seine Tanzsprache, ebenso der zeitgenössische Tanz wie die gesprochene (englische) Sprache, in die er Steptanznummern mit unglaublicher Leichtigkeit, Präzision und dies im Stil eines geborenen Entertainers präsentiert.</p>
<p>Auch wenn der Allroundkünstler als Tänzer, Choreograf und Sänger erfolgreich durch ganz Europa gereist ist, wird er immer wieder daran erinnert, dass seine Haut nicht weiß ist.</p>
<p>Und so kann sein Tanzsolo interpretiert werden als eine Abrechnung mit seiner eigenen belasteten Geschichte, obwohl es auch leichte Momente enthält und im Verlauf der Identitätsfindung einen glücklicheren Blick auf das eigene Leben findet. „Das bewegte und bewegende Solo handelt nicht allein von Mani Obeya, es erzählt auch von der Welt, in der der Künstler lebt und fordert das eigene Nachdenken über Fremdsein und Rassismus.“ So die Tanzkritikerin Ditta Ruddle in ihrer Rezension in der Wiener Zeitung vom 13 Juli 2022. (aks)</p><br />
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<h2>ME - NMU - AMI</h2>
<h4>Ein Tanzsolo. Mani Obeya, Cie. Willi Dorner.</h4>
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<h3>4. Aug 2023 . 20 Uhr<br />ART SPACE stift millstatt</h3>
<h4>#curated by aks</h4>
<p>Das Solo entstand aus einem dialogischen Prozess zwischen Mani Obeya und Willi Dorner. Begleitet wurde der künstlerische Prozess von Esther Baio.</p>
Künstlerische Leitung: Willi Dorner<br />
Tanz/Choreographie: Emmanuel Obeya<br />
Lichtdesign: Alex Wanko<br />
Tontechnik: Paul Ebhart<br />
Kostüme: Alba Rastl<br />
<p>Fotos Lisa Rastl-Dorner.</p>
Eine Produktion der Cie Willi Dorner. Gefördert von MA 7 Kulturamt der Stadt Wien.
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<h3>ME - NMU - AMI</h3>
<h4>a dance solo. Mani Obeya, Cie. Willi Dorner.</h4>
<h4>#curated by aks</h4>
<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg2RK7pn2dVSVfWreDskCQ1p3mHkWO9v_HXXUAiFRuUnfmgcVJjZTWnljADEGhCIHXYfpMBRZ7iS6nq-vDmy9RUp0MYEG3okL0weZzmxhNopcFgQL8YfelMTIS2T78pkx6NUX-YJiAj5ojvE7tIZTrCAtJUPjFDmv29dMuWL1q_UzmjqEO8I-8gsXP9LM1/s3543/ME-NMU_AMI_Dorner_Obeya_749.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Mani Obeya" border="0" data-original-height="3543" data-original-width="2362" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg2RK7pn2dVSVfWreDskCQ1p3mHkWO9v_HXXUAiFRuUnfmgcVJjZTWnljADEGhCIHXYfpMBRZ7iS6nq-vDmy9RUp0MYEG3okL0weZzmxhNopcFgQL8YfelMTIS2T78pkx6NUX-YJiAj5ojvE7tIZTrCAtJUPjFDmv29dMuWL1q_UzmjqEO8I-8gsXP9LM1/w200-h301/ME-NMU_AMI_Dorner_Obeya_749.jpg" title="ME-NMU-AMI . Mani Obeya" width="190" /></a></div>ME - NMU - AMI is the title of a widely acclaimed dance solo that the dance artist Mani Obeya will present to the interested audience on 4 August at 8 pm as part of the guest performance series TANZ im ART SPACE stift millstatt, curated by Andrea K. Schlehwein.<p></p>
<p>"Our bodies are political", concludes the Nigerian born dancer, who grew up in Great Britain. He will tell us about his difficult start into the dance world in a skilfully presented performance of one hour.</p>
<p>The solo ME-NMU-AMI was created in collaboration with the Austrian choreographer Willie Dorner. The three syllables of the title all mean "I" – in English and in two Nigerian dialects. Mani Obeya masterfully employs a wide variety of dance styles. Classical ballet is his dance language, as well as contemporary dance and the spoken (English) language, in which he presents tap dance routines with incredible ease, precision and in the style of a born entertainer.</p>
<p>Even though the all-round artist has successfully travelled all over Europe as a dancer, choreographer and singer, he is constantly reminded that his skin is not white.</p>
<p>And so his dance solo can be interpreted as a reckoning with his own burdened history, although it also contains lighter moments and takes a happier view of his own life in the course of finding his identity. "The moving solo is not only about Mani Obeya, it also tells of the world in which the artist lives and demands his own reflection on foreignness and racism", notes dance critic Ditta Ruddle in her review in the Wiener Zeitung of 13 July 2022. (aks, ro)</p><br />
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<h2>ME - NMU - AMI</h2>
<h4>a dance solo. Mani Obeya, Cie. Willi Dorner.</h4>
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<h3>4 aug 2023 . 8 pm<br />@ART SPACE stift millstatt</h3>
<h4>#curated by aks</h4>
<p>The solo emerged froma a dialogical process between Mani Pobeya and Willi Dorner. The artistic process was accompanied by Esther Baio.</p>
Artistic direction: Willi Dorner<br />
Dance/choregraphy: Emmanuel Obeya<br />
Light design: Alex Wanko<br />
Sound engineering: Paul Ebhart<br />
Costumes: Alba Rastl<br />
<p>Photos Lisa Rastl-Dorner.</p>
A production of Cie Willi Dorner. Supported by MA 7 Kulturamt der Stadt Wien.
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<br /></div></div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-15755390092314440572023-07-28T15:44:00.001+02:002023-11-10T18:42:47.960+01:00dance talk #1 | on structure<div style="border: 0px solid rgb(0, 0, 10); font-family: "century gothic"; text-align: left;">
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<b>28 07 2023 @ART SPACE stift millstatt </b>
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eine neue Gesprächsreihe initiiert von
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a new series of talks initiated by
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<span style="font-size: medium;">Andrea K. Schlehwein</span>
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Dieses erste Zusammenkunft ist als internes Treffen gedacht. Im
Laufe des Jahres wird es größere Zusammenkünfte geben, von denen
einige öffentlich stattfinden werden.
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<span style="font-family: "century gothic"; text-align: justify;">This first gathering is designed as an internal meeting. Larger lineups are
planned throughout the year with some of them held publicly.</span></div><div><span style="font-family: "century gothic"; text-align: justify;"><br /></span></div><div><span style="font-family: "century gothic"; text-align: justify;"><br /></span></div>
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<div><span style="font-family: "century gothic"; font-size: medium; text-align: justify;"><b>dance talk #1</b></span></div><div>mit / with</div><span style="font-family: "century gothic"; text-align: justify;"><b>
Valentin Alfery</b> . Hungry Sharks<br /><b>
Dusana Baltic</b> . Hungry Sharks<br /><b>
Leon Bernhofer</b> . Urban Playground<br /><b>
Jerneja Fekonja</b> . NETZWERK AKS<br /><b>
Leonie Humitsch</b> . freitanz<br /><b>
Jye Hwei Lin</b> . NETZWERK AKS<br /><b>
Silvia Salzmann</b><br /><b>
Unita Gay Galiluyo</b> . NETZWERK AKS<br /><b>
Andrea K. Schlehwein</b> . NETZWERK AKS<br />
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<span style="font-family: "Century Gothic"; text-align: left;"><i>Allianzen bilden</i></span></div><div style="font-family: "century gothic"; padding: 0em 1em 0em 0em; text-align: center;"><span style="font-family: "Century Gothic"; text-align: left;"><i>Dialog suchen</i></span></div><div style="font-family: "century gothic"; padding: 0em 1em 0em 0em; text-align: center;"><span style="font-family: "Century Gothic"; text-align: left;"><i>Kooperationen initiieren</i></span></div><div style="font-family: "century gothic"; padding: 0em 1em 0em 0em; text-align: center;"><span style="font-family: "Century Gothic"; text-align: left;"><i>ein faires Miteinander leben</i></span></div><div style="font-family: "century gothic"; padding: 0em 1em 0em 0em; text-align: center;"><span style="font-family: "Century Gothic"; text-align: left;"><i>Kooperationsmodelle erarbeiten</i></span></div><div style="font-family: "century gothic"; padding: 0em 1em 0em 0em; text-align: center;"><span style="font-family: "Century Gothic"; text-align: left;"><i>Resilienz entwickeln</i></span>
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<i>form alliances</i></div><div style="padding: 0em; text-align: center;"><i>seek dialogue</i></div><div style="padding: 0em; text-align: center;"><i>initiate collaborations</i></div><div style="padding: 0em; text-align: center;"><i>living fair togetherness</i></div><div style="padding: 0em; text-align: center;"><i>develop collaborative models</i></div><div style="padding: 0em; text-align: center;"><i>build resilience</i></div></div></td></tr></tbody></table><div style="font-family: "century gothic"; padding: 0em 1em 0em 0em; text-align: justify;">
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-59009617934656620942023-07-17T14:28:00.000+02:002023-11-10T18:43:10.205+01:00Multizentrisch der Raum - Mehrdimensional die Perspektiven<hr />
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<b>Andrea K. Schlehwein</b><br />
<h3>Multizentrisch der Raum - Mehrdimensional die Perspektiven</h3>
<p>Dass Kärnten mehr ist als die Summe seiner bekannt-bemühten Ingredienzen wie
Natur, Lebensqualität und Tourismus, zeigt ein Blick auf eine über das Land verteilt pulsierende Kunst- und Kulturlandschaft. Neben Oper, Theater und Bildender Kunst - hier liegt der Fokus auf der Kunst des Tanzes und der Performance - haben die meisten, allen Unkenrufen zum Trotz, so einiges überlebt. Die leicht arrogante Ächtung anderer Bundesländer ebenso wie die restriktive Ära Haider, eine erst spürbar agierende Kulturabteilung als diese ihren Namen wieder trug; - die Pandemie.</p>
<p>Kärnten ist ein Archipel mit wilden, teils unbezwingbaren Ozeanen zwischen den Inseln. Doch das Bewusstsein, dass auch Inseln sich in Gruppen formieren, wird vorsichtig gelebte Realität.
Kulturvereine und Initiativen, Eigenbrötler, Netzwerke und Impulssetzer, Festivals und Spielstätten
zeichnen sich aus durch jahrzehntelang erprobte Strategien. Erfindungsreichtum, Durchhaltewille, Mut zum Risiko, Ideenvielfalt, Multitasking, Selbstausbeutung und Resilienz sind ihre Charakteristika. Sie klingen gut und gehören zum öffentlichen Bild. Bemüht wird somit ein längst überholtes, romantisierendes Bild, das nicht mehr zeitgemäß ist. Vielmehr musste hart am Wind segelnd einiges an Kraft bemüht werden, um den Motor am Laufen zu halten und mit Pandemieende durchzustarten, als wäre nichts gewesen.</p>
<p>Gesellschaften verändern sich manches Mal überraschend schnell und mit ihnen das Publikum, seine Gewohnheiten, sein Verhalten. Tanz und Performance existieren nicht aus Selbstzweck. Angestoßen von brennenden Fragen unserer Zeit werden gesellschaftspolitische Themen in heutiger Ästhetik reflektiert und kommuniziert. Das kann ungewohnt und unbequem sein. Nicht jede kleine Gemeinde möchte sich diese Kunstform leisten. Doch wir, die wir da sind, haben Festivals und Orte etabliert, die es ohne uns nicht gegeben hätte. Wir agieren inmitten dieser Gesellschaft, mit ihr, nicht gegen sie. Unser Ziel ist es, die Menschen zu erreichen, unser Publikum zu halten, neues stabil zu gewinnen. Das kann als starkes Zeichen der Kärntner Szene im Schulterschluss gelingen. Es braucht ein Mehr-an-Wir, denn Multitasking überfordert, wertvolle Energien werden erschöpft. Erfahrungen, Pools und Tools könnten als am Leben erhaltende, sich gegenseitig befruchtende Ressourcen begriffen werden. Unsere Strategien könnten weiterentwickelt, Ideen im Miteinander diskutiert, neue Wege gegangen werden. Neben etablierten Festivals wäre eines, das ausschließlich den Tanz zum Thema macht, wünschenswert. Ein zeitgemäßes Format, regional ausgerichtet, mit nationaler und internationaler Strahlkraft wie die dance . roads ! Im Kollektiv geleitet, mit einem aus Kärnten stammenden Programm, das innerhalb dieses Bundeslandes an verschiedenen Spielstätten tourt, sich konsequent Themen des zeitgenössischen Tanzes in Theorie und Praxis und in Wechselwirkung mit den drängenden, ökologischen Problemen dieser Zeit widmet. Schulterschluss, Ressourcen-sharing, Nachhaltigkeit, warum nicht?</p>
<p>Wenn wir unsere Unterschiede aushalten, sie wertschätzen, Ecken und Kanten Ecken und Kanten sein lassen und uns den übergreifenden Fragen und Themen widmen, können wir Individualität erhalten und eine gemeinsame Infrastruktur aufbauen. Wissend, dass wichtige Impulse zur Erneuerung von Kunst und Gesellschaft aus einem inneren, brennenden Zentrum generiert werden. Dort, wo gezweifelt und hinterfragt, geforscht, gebohrt und probiert wird, dort, wo Künstlerinnen und Künstler agieren, die sich die Freiheit nehmen, Risiken im Tun einzugehen: Gewohnt gekonnt, weil sie eh auf einem Drahtseil durch ihr Berufsleben balancieren.</p>
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<b>Andrea K. Schlehwein</b><br />
<h3>Multicentric Space - Multidimensional Perspectives</h3>
<p>Carinthia is more than the sum of its well-known and much-cited ingredients of nature, liveability and tourism, as we can see looking at the vibrant landscape of art and culture across the entire region. Opera, theatre and visual arts – the arts of dance and performance that we are focussing on here – most of them, despite all prophecies of doom, have survived many things. The slightly condescending attitude from other Austrian states and the restrictive Haider era; a cultural department that was hardly noticeable before it regained its name; the pandemic.</p>
<p>Carinthia is an archipelago with wild and partly unconquerable oceans between its islands. However, the awareness that even islands can form groups is slowly becoming a lived reality. Cultural associations and initiatives, individual artists, networks and initiators, festivals and venues distinguish themselves by strategies that have been tried and tested for decades. Inventiveness, perseverance, courage, creativity, multitasking, self-exploitation and resilience are their characteristics. They sound good and are part of the public image. Thus, an outdated romanticized image is invoked that is no longer in keeping with the times. Rather, sailing against the wind, great efforts had to be made to keep the engine running and take off again after the pandemic as if nothing ever happened.</p>
<p>Sometimes societies change surprisingly fast, and with them the audience, its behaviour, its habits. Dance and performance do not exist as an end in themselves. Driven by burning questions of our time, they reflect and communicate socio-political topics in the aesthetics of our time. This might be unfamiliar and discomforting. Not every small community is willing to embrace this art form. But we, the ones who are here, have established festivals and spaces that would not exist without us. We operate in the midst of society, with it, not against it. Our aim is to reach people, to keep our audience, to gain a new and stable public. Setting a strong signal, the Carinthian scene can accomplish this by working together in solidarity. More 'we' is needed, as multitasking is draining and valuable energies are being depleted. Experience, pools and tools could be understood as life-sustaining, cross-fertilizing resources. We could enhance our strategies, discuss ideas together, take new paths. Besides established festivals, a festival that focusses exclusively on dance would be desirable. A contemporary format, regionally oriented, with national and international appeal, like dance . roads ! Collectively run, with a programme originating in Carinthia, touring various venues within the region, consistently addressing topics of contemporary dance in theory and practice and in interaction with the pressing ecological challenges of today. Solidarity, sharing of resources, sustainability, why not?</p>
<p>If we tolerate our differences, value them, if we let corners be corners and edges be edges and dedicate ourselves to the overarching issues and topics, we can maintain individuality and establish a shared infrastructure. In the knowledge that important impulses for the renewal of art and society are generated in a burning inner centre. Where there is doubt and questioning, research, digging and testing, where artists operate in the freedom to take risks in their doing: skilled by experience, as they have been balancing on a tightrope throughout their professional lives all along.</p>
<p style="text-align: right;"><span style="font-size: x-small;">translation: Roman Zotter</span></p><p>
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</div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-78480358185855913982023-07-10T11:27:00.003+02:002023-11-10T18:43:24.246+01:00dis : place @ ART SPACE stift millstatt – 14 + 15 Jul 23<div style="font-family: "century gothic";">
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Nach zwei Aufführungen in Maribor und Ljubljana wird die Neuproduktion <b>dis : place</b> von <b>Andrea K. Schlehwein + NETZWERK AKS</b> in Kollaboration mit <b>PTL - Plesni Teater Ljubljana</b> in Kürze im <b>ART SPACE stift millstatt</b> aufgeführt. Wir freuen uns auf Ihr Kommen.
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After two performances in Maribor and Ljubljana, the new production <b>dis : place</b> by <b>Andrea K. Schlehwein + NETZWERK AKS</b> in collaboration with <b>PTL - Plesni Teater Ljubljana</b> will soon be performed at <b>ART SPACE stift millstatt</b>. We're looking forward to seeing you there.
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<h2>dis : place<br /></h2><b>
Andrea K. Schlehwein + NETZWERK AKS<br />
Plesni Teater Ljubljana</b><br />
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<h2><span style="color: #4444444;">14 + 15 07 2023 – 20:00</span></h2>
<h3>@ ART SPACE stift millstatt</h3>
<p><b>Stiftgasse 1 . 9872 Millstatt, Austria<br />
Reservations: +43 676 418 5528</b></p>
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<p><span style="color: #444444;"></span></p><h4 style="text-align: left;"><span style="color: #444444;">Credits</span></h4><p></p>
<p><span style="font-size: small;">concept + artistic direction<br /><b><span style="color: #444444;">
Andrea K. Schlehwein</span></b></span></p>
<p><span style="font-size: small;">dance + creation<br /><span style="color: #444444;"><b>
Unita Gay Galiluyo . Jye Hwei Lin . Jerneja Fekonja</b></span> [NETZWERK AKS . Austria]</span></p>
<p><span style="font-size: small;"><b><span style="color: #444444;">
Petra Peček . Bor Prokofjev</span></b> [Plesni Teater Ljubljana . Slovenia]</span></p>
<p><span style="font-size: small;">
production assistance<br /><b><span style="color: #444444;">
Brigitte Büsken</span></b></span></p>
<p><span style="font-size: small;">
rehearsal direction<br /><b><span style="color: #444444;">
Unita Gay Galiluyo</span></b></span></p>
<p><span style="font-size: small;">
grafic + layouts<br /><b><span style="color: #444444;">
Eleonore Schäfer</span></b></span></p>
<p><b><span style="color: #444444; font-size: small;">
Roman Zotter</span></b></p>
<p><span style="font-size: small;">
head of production<br /><b><span style="color: #444444;">
Andrea K. Schlehwein</span></b></span></p>
<p><span style="font-size: small;">
management<br />
<b><span style="color: #444444;">büro für tanz | theater | produktionen</span></b><br />
</span></p><span style="font-size: small;">
supported by BMKOES, Land Kärnten, Plesni Teater Ljubljana
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</div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-51153657485922823202023-06-17T20:47:00.008+02:002023-11-10T18:43:32.686+01:00dis : place . co-production Austria Slovenia @ RAIL2DANCE4UKREP<head>
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internationale Co-Produktion (Österreich . Slowenien)<br />
Andrea K. Schlehwein + NETZWERK AKS <br />
Plesni Teater Ljubljana
<p><b>TanzKUNST im öffentlichen Raum</b></p>
<p>Für das diesjährige Festival <b>RAIL2DANCE4UKREP</b> in Slowenien inszeniert Andrea K. Schlehwein als Co-Produktion mit Tänzer*innen des <b>NETZWERK AKS</b> und des <b>Plesni Teater Ljubljana</b> eine Outdoor-Performance, die derzeit nicht nur im ART SPACE stift millstatt, sondern auch an öffentlichen Orten in der Region Millstättersee / Österreich geprobt und danach im öffentlichen Raum in Ljubljana und Maribor / Slowenien aufgeführt wird.</p>
<blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><b><a href="https://www.festival-lent.si/en/programme-fl/" target="_blank"><span style="color: #ff8833;">⇰ <u>26. Juni 2023 – Maribor</u></span></a></b><br />
<b><a href="http://ptl.si/rail2dance4ukrep/2023/6/1/urnik-in-lokacije-festivala-schedule-and-locations-of-the-festival"><span style="color: #ff8833;">⇰ <u>28. Juni 2023 – Ljubljana</u></span></a></b></blockquote>
<p>In dem Stück <b>dis : place</b> erforscht das international besetzte Tanzensemble [Unita Gay Galiluyo, Jye Hwei Lin, Jerneja Fekonja, Petra Peček, Bor Prokofjev] unter der künstlerischen Leitung von Andrea K. Schlehwein die Möglichkeit einer Autonomie verschiedener Körperregionen auf skelettaler Ebene [Schädel . Torso . Becken] sowie deren Wechselwirkungen untereinander und in Bezug auf die umgebende [Stadt]Landschaft.</p><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhePjDZDTQ0Z2ilV5zkryhsoKnFU_g5_EIfuuabtp9nVGmm-WfWlEe76QpsZonYdeNd9EQKl3Tu883pY6WykXfkW_-d3OiUWTKKzAI4MPBY0cMw1DatI_MyKBkB9tf32U0UDeiMpftikL7Hegq71Y3u9hfn8RqoTSpG6afL-j-ZKZhVZYsAbc0vpgXgSA/s2000/IMG_0535.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="rehearsals at lake millstatt" border="0" data-original-height="1500" data-original-width="2000" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhePjDZDTQ0Z2ilV5zkryhsoKnFU_g5_EIfuuabtp9nVGmm-WfWlEe76QpsZonYdeNd9EQKl3Tu883pY6WykXfkW_-d3OiUWTKKzAI4MPBY0cMw1DatI_MyKBkB9tf32U0UDeiMpftikL7Hegq71Y3u9hfn8RqoTSpG6afL-j-ZKZhVZYsAbc0vpgXgSA/w310-h233/IMG_0535.jpg" title="rehearsals at lake millstatt" width="310" /></a></div>Landschaftskörper und Körperlandschaften</b><p></p>
<p>Die dezentralisierte Herangehensweise an den Körper ermöglicht eine neue Freiheit der Bewegung unter Einbeziehung interner und externer Impulse. Festgelegte und offene [Tanz]Formen wechseln einander ab und verdeutlichen das Zusammenspiel von Planung/Architektur und Zufall/Unberechenbarkeit. Streng choreografierte Sequenzen mischen sich mit spontanen Reaktionen auf vorgefundene Gegebenheiten: Landschaftskörper und -texturen, atmosphärische Bedingungen, Publikum, Passanten.<br />
Kunst trifft auf das tägliche Leben, mischt sich ein, berührt und lässt sich berühren und hinterlässt im Raum sowie im Publikum – flüchtig und doch einprägsam – Spuren der Bedeutung.</p>
<p>Wie auch das gesamte diesjährige Festival <b>RAIL2DANCE4UKREP</b> zielt Andrea K. Schlehwein mit ihrem neuen Stück darauf ab, der Kunstform TANZ durch Proben und Aufführungen im öffentlichen Raum eine neue Sichtbarkeit zu verleihen und auch Menschen abseits des traditionellen Tanz-/Theaterpublikums zu erreichen.</p><p><span style="font-size: x-small;">Text: aks + ro<br />Photos: Selina Nuart + aks</span></p>
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<h3>dis : place</h3>
mednarodna koprodukcija (Avstrija . Slovenija)<br />
Andrea K. Schlehwein + NETZWERK AKS<br />Plesni Teater Ljubljana
<p><b>Plesna UMETNOST v javnem prostoru
</b></p>
<p>Andrea K. Schlehwein v koprodukciji s plesalci iz <b>NETZWERK AKS</b> in <b>Plesnim teatrom Ljubljana</b> pripravlja plesno predstavo na prostem, ki se bo odvila na letošnjem festivalu <b>RAIL2DANCE4UKREP</b>. Vaje za predstavo potekajo v ART SPACE stift millstatt in na javnih prostorih ob avstrijskem Millstattskem jezeru. Predstava bo izvedena na javnih površinah v Mariboru in Ljubljani, Sloveniji.
</p><p></p>
<blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><b><a href="https://www.festival-lent.si/en/programme-fl/" target="_blank"><span style="color: #ff8833;">⇰ <u>26. junij 2023 – Maribor</u></span></a></b><br />
<b><a href="http://ptl.si/rail2dance4ukrep/2023/6/1/urnik-in-lokacije-festivala-schedule-and-locations-of-the-festival"><span style="color: #ff8833;">⇰ <u>28 junij 2023 – Ljubljana</u></span></a></b></blockquote>
<p>V <b>dis : place</b> mednarodna plesna skupina, ki jo sestavljajo Unita Gay Galiluyo, Jye Hwei Lin, Jerneja Fekonja, Petra Peček in Bor Prokofjev, pod umetniškim vodstvom Andree K. Schlehwein raziskuje možnosti avtonomije različnih delov telesa na skeletni ravni [lobanja . trup . medenica] ter odnose med telesom in urbano krajino.</p>
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<p><b>Pokrajinska telesa in telesne pokrajine</b></p>
<p>Decentraliziran pristop k telesu omogoča novo svobodo gibanja, ki vključuje notranje in zunanje impulze. Med izmenjevanjem zastavljenih in odprtih plesnih oblik je poudarjen preplet med načrtovanim, arhitekturnim in naključnim, nepredvidljivim. Strogo koreografirane sekvence se mešajo s spontanimi odzivi na pogoje okolice, med katere sodijo pokrajinska telesa in teksture, atmosferske razmere, občinstvo in mimoidoče. Umetnost se srečuje z vsakdanjim življenjem, se vmešava in dotika ter pušča v prostoru in v občinstvu sicer minljive, a nepozabne pomenske sledi.
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<p>Tako kot celoten letošnji festival <b>RAIL2DANCE4UKREP</b> si tudi nova produkcija pod vodstvom Andree K. Schlehwein prizadeva, da bi plesu kot umetniški formi omogočila večjo prepoznavnost ter z vajami in predstavami na prostem dosegla tudi ljudi, ki se tradicionalno ne uvrščajo med občinstvo plesnega gledališča.</p><p><span style="font-size: x-small;">Text: aks + ro<br />Photos: Selina Nuart + aks</span></p>
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<h3>dis : place</h3>
international co-production (Austria . Slovenia)<br />
Andrea K. Schlehwein + NETZWERK AKS<br />Plesni Teater Ljubljana
<p><b>Dance ART in Public Space</b></p>
<p>For this year's <b>RAIL2DANCE4UKREP</b> festival in Slovenia, Andrea K. Schlehwein is directing an outdoor performance as co-production with dancers from <b>NETZWERK AKS</b></p>and <b>Plesni Teater Ljubljana</b>, which is currently being rehearsed not only at ART SPACE stift millstatt, but also in public places in the region of Lake Millstatt / Austria before being performed in public spaces in Ljubljana and Maribor / Slovenia.<p></p>
<blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><b><a href="https://www.festival-lent.si/en/programme-fl/" target="_blank"><span style="color: #ff8833;">⇰ <u>June 26 2023 – Maribor</u></span></a></b><br />
<b><a href="http://ptl.si/rail2dance4ukrep/2023/6/1/urnik-in-lokacije-festivala-schedule-and-locations-of-the-festival"><span style="color: #ff8833;">⇰ <u>June 28 2023 – Ljubljana</u></span></a></b></blockquote>
<p>In <b>dis : place</b>, the international dance ensemble [Unita Gay Galiluyo, Jye Hwei Lin, Jerneja Fekonja, Petra Peček, Bor Prokofjev] under the artistic direction of Andrea K. Schlehwein explores the possibility for an autonomy of different regions of the body on a skeletal level [skull . torso . pelvis] as well as the interrelationship between each other and the surrounding [urban] landscape.</p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhePjDZDTQ0Z2ilV5zkryhsoKnFU_g5_EIfuuabtp9nVGmm-WfWlEe76QpsZonYdeNd9EQKl3Tu883pY6WykXfkW_-d3OiUWTKKzAI4MPBY0cMw1DatI_MyKBkB9tf32U0UDeiMpftikL7Hegq71Y3u9hfn8RqoTSpG6afL-j-ZKZhVZYsAbc0vpgXgSA/s2000/IMG_0535.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="rehearsals at lake millstatt" border="0" data-original-height="1417" data-original-width="2000" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7yDqYKu-qXPgLAeQegrhhvQ4alABjRkor4r-oV5QmqFuBxzXB_nnizWF8XM53MmiTKGFiUwhwusHNwwt3GOT9Jtsm6wzd7Kmk4I87bXvPj1nbQbY_Lag-4dz9HpG48bhSSvCVNyeq1mvrZOyAgMeqfVcJq7F6cIkDOGGMRJFX-k4VdpeDhHlLJJm-0Q/w320-h200/IMG_0557.jpg" title="rehearsals at lake millstatt" width="320" /></a></div><p><b>Landscape Bodies and Body Landscapes</b></p>
<p>The decentralized approach to the body allows for a new freedom of movement incorporating internal and external impulses. Set and open [dance] forms alternate, highlighting the interplay between planning/architecture and chance/unpredictability. Strictly choreographed sequences mix with spontaneous responses to given conditions: landscape bodies and textures, atmospheric conditions, audience, passers-by.<br />
Art meets daily life, interferes, touches and gets touched, and leaves the space as well as the audience with ephemeral yet memorable traces of significance.</p>
<p>Just like this year's entire <b>RAIL2DANCE4UKREP</b> festival, Andrea K. Schlehwein's new production, through rehearsals and performances in public spaces, seeks to give the art form DANCE a new visibility and to reach people beyond the traditional dance/theater audience.</p><p><span style="font-size: x-small;">Text: aks + ro<br />Photos: Selina Nuart + aks</span></p>
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<h2>dis : place<br /><br /></h2><b>
Andrea K. Schlehwein + NETZWERK AKS<br />
Plesni Teater Ljubljana</b><br />
<br />
<h3>@ Festival RAIL2DANCE4UKREP - Slovenia</h3><br />
<b><a href="https://www.festival-lent.si/en/programme-fl/" target="_blank"><span style="color: #ff8833;">⇰ <u>June 26 2023 – Maribor</u></span></a></b>
<br />
<b><a href="http://ptl.si/rail2dance4ukrep/2023/6/1/urnik-in-lokacije-festivala-schedule-and-locations-of-the-festival"><span style="color: #ff8833;">⇰ <u>June 28 2023 – Ljubljana</u></span></a></b>
<br />
<br />
<br />
<span style="color: #444444;"><h3>Credits</h3></span><br />
concept + artistic direction<br /><b><span style="color: #444444;">
Andrea K. Schlehwein</span></b><br />
<br />
dance + creation;<br /><span style="color: #444444;"><b>
Unita Gay Galiluyo . Jye Hwei Lin . Jerneja Fekonja</b></span> [NETZWERK AKS . Austria]<br /><b><span style="color: #444444;">
Petra Peček . Bor Prokofjev</span></b> [Plesni Teater Ljubljana . Slovenia]<br />
<br />
production assistance<br /><b><span style="color: #444444;">
Brigitte Büsken</span></b><br />
<br />
rehearsal direction<br /><b><span style="color: #444444;">
Unita Gay Galiluyo</span></b><br />
<br />
grafic + layouts<br /><b><span style="color: #444444;">
Eleonore Schäfer</span></b><br /><b><span style="color: #444444;">
Roman Zotter</span></b><br />
<br />
head of production<br /><b><span style="color: #444444;">
Andrea K. Schlehwein</span></b><br />
<br />
management<br />
<b><span style="color: #444444;">büro für tanz | theater | produktionen</span></b><br />
<br />
<span style="color: #444444;"><b>rehearsal locations</b></span><br />
ART SPACE stift millstatt . Austria<br />
outdoor locations . Lake Millstatt region . Austria<br />
outdoor locations . Ljubljana + Maribor . Slovenia<br /><br />
supported by BMKOES, Land Kärnten, Plesni Teater Ljubljana
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<p></p></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglMvlCiozPqIZrPTPoGTFChyc86M6wHLfuOQ5T0kehwoAsYltNDQ8f1z7l_7kCIIl-g_7Ma29oZhuV-G4g6YXv_sEgLOxTh_thmlOlYQ-n1LBWy3jcBvIZ8iICq8P02smof9LSajH35p8z1-CyOg780IMqnSwgKsca97haLMe2r-3yfmNEknh9OkEOBA/s2000/IMG_0553%20cropped.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="rehearsals at lake millstatt" border="0" data-original-height="695" data-original-width="2000" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglMvlCiozPqIZrPTPoGTFChyc86M6wHLfuOQ5T0kehwoAsYltNDQ8f1z7l_7kCIIl-g_7Ma29oZhuV-G4g6YXv_sEgLOxTh_thmlOlYQ-n1LBWy3jcBvIZ8iICq8P02smof9LSajH35p8z1-CyOg780IMqnSwgKsca97haLMe2r-3yfmNEknh9OkEOBA/w666-h231/IMG_0553%20cropped.jpeg" title="rehearsals at lake millstatt" width="700" /></a></div></div>
</span></div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-72256099050846797492023-05-15T18:58:00.001+02:002023-05-16T13:58:59.527+02:00mancherorts unerwünscht<hr />
<span style="font-family: century gothic;">
<a href="#ENGunerwunscht"><span style="color: #ff8833;">↓ Please scroll down for English ↓</span></a>
</span>
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<p>
Der Zeitgenössische Tanz legt wie jede andere, sich ernst nehmende Kunstform
auch, Finger in die Wunden unserer Zeit. Gesellschaftspolitische Themen
werden in heutiger Ästhetik reflektiert, kommuniziert und oftmals in
dialogischen Formaten einem meist mühsam über Jahre gewachsenen Publikum
präsentiert. Dass dies längst nicht allen Bürgermeistern und Gemeinderäten
gefällt, liegt auf der Hand. Doch autonomes Denken und Agieren wird nicht
nur im ländlichen Raum als Risiko empfunden. Auch gestandene Festivalmacher
laden Programmpunkte mit Tanz wieder aus, weil nicht alles glatt geht im
Ticketverkauf dieser Kunstform. Chancen werden vertan, Denkverhalten
angepasst. Um Budgets zu sichern, wird auf etablierte Kost und auf Claqueure
in Politik und Publikum gesetzt. Mit letzterem gut ausgestattet erzeugt der
pekuniäre Mangel Druck und zerstört schnell, was Jahre gebraucht hat, um zu
dem zu werden, was es heute ist.
</p>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhSypl2rXCnyxiNOR_hlCN9FQGao55K28iSeiNjiyRM2I9w824M4gfbjYk61Zur2D-1ib4aNy04BFmtxiJlHox-jtCI1EYoIjJp53cKZQGht7I_rLdveYINDvWID71seQuJ_TUBwkDEfGblwtJ0xFUDlI-iRMV9IM1GlY1eaEg9pgrCMLMR9J_APW6uQ/s1456/rotes%20X_1.4.jpg" style="clear: right; display: block; float: right; padding: 0em 0em 0em 1em; text-align: center;"><img alt="" border="0" data-original-height="922" data-original-width="1456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhSypl2rXCnyxiNOR_hlCN9FQGao55K28iSeiNjiyRM2I9w824M4gfbjYk61Zur2D-1ib4aNy04BFmtxiJlHox-jtCI1EYoIjJp53cKZQGht7I_rLdveYINDvWID71seQuJ_TUBwkDEfGblwtJ0xFUDlI-iRMV9IM1GlY1eaEg9pgrCMLMR9J_APW6uQ/s400/rotes%20X_1.4.jpg" width="400" /></a></div><p>Unangepasstheit und Nachdenklichkeit lösen erstaunlicherweise Unsicherheit
bei Inhabern von Positionen mit Verantwortung aus. Doch es ist und bleibt
die Stärke des Tanzes, die Sinne des Publikums zu treffen mit seiner
rätselhaften Flüchtigkeit, seiner physischen Wucht, der Präsentation des
menschlichen Körpers in all seiner Fragilität und Kraft.</p>
<p>
Schwellenangst und Wahrnehmungsprobleme sind Probleme, die jeder Nischenkunst
begegnen, für die es von den Macherinnen Konzepte zu entwickeln gilt, um
einen lebendigen Diskurs und Dialog mit dem Publikum im Fluss zu halten.
Darüberhinausgehenden, systemisch bedingten Produktions- und
Rezeptionsproblemen, wie sie ein von Konkurrenzdenken gebeuteltes Bundesland
wie Kärnten zeigt, müssen begegnet werden.
</p>
<p>
Aus diesem Grund veranstaltet der Think Tank um Andrea K. Schlehwein statt
eines choreographischen Programmpunktes zur diesjährigen <i>Kunst Nacht Stift
Millstatt</i> am <b>28. Juli 2023</b> einen <b><i>dance. talk</i></b> mit dem Titel
<b><i>Gespräche über das Abwesende</i></b>. Die seit 15 Jahren in Kärnten Impulse setzende Plattform für Tanz und
Kunst, das Label <i>Andrea K. Schlehwein + NETZWERK AKS,</i> wird im ART
SPACE stift millstatt für Gedankenaustausch und Lösungsvorschläge zur
Verfügung stehen. Tanzen werden wir nicht. Tanz kostet. Neben Geld auch
Haltung.
</p>
<p>
Getanzt wird dennoch. Die nächste Neuproduktion von Andrea K. Schlehwein +
NETZWERK AKS wird als internationale Koproduktion mit dem ältesten
Tanztheater Ljubljanas kreiert, mit einem die Landesgrenzen negierenden,
neugegründeten Ensemble. Zu sehen ist die Tanzproduktion <b>dis:place</b> im
Rahmen des Festivals UKREP Festival of Dance Perspectives Slovenia am <b>26
Juni in Maribor</b> und am <b>28. Juni in Ljubljana</b> - und möglicherweise später im
Jahr auch andernorts in Kärnten, dort, wo der Tanz willkommen ist.
</p>
AKS, Mai 2023
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<hr />
<span style="font-family: century gothic;">ENGLISH </span><br />
<hr />
<div style="font-family: "century gothic";">
<br /><h3><b>unwanted by some</b></h3>
<p>
Contemporary dance, just like any other serious art form, puts a finger on
the sore spots of our time. Socio-political topics are reflected and
communicated in today's aesthetics and, often in dialogical formats,
presented to an audience that has been painstakingly cultivated over many
years. It goes without saying that mayors and local politicians are not
always happy about this. But autonomous thinking and acting is not only
perceived as a risk in rural areas. Even seasoned festival makers decide
to cancel dance events, as things don’t run smoothly with ticket sales for
this art form. Opportunities are lost, ways of thinking are adjusted. In
order to secure budgets, the choice goes to established programs and
claqueurs in politics and public. Well equipped with the latter, the
pecuniary shortage creates pressure and quickly destroys what took years
to develop into what it is today.
</p>
<p>
Surprisingly, nonconformity and thoughtfulness trigger insecurity among
people in positions of responsibility. But it is and remains the strength
of dance to address the senses of the audience with its enigmatic
ephemerality, its physical force, and presentations of the human body in
all its fagility and power.
</p>
<p>
Fear of the unknown and problems of perception are issues that every niche
art faces and for which the makers need to develop concepts in order to
keep a lively discourse and dialogue going with the audience. Further
reaching, systemic production and reception problems, which become
apparent in a province like Carinthia, plagued by competitive thinking,
must be confronted.
</p>
<p>
For this reason, instead of a choreographic programme, the think tank
around Andrea K. Schlehwein will organize a <b><i>dance. talk</i></b> with
the title <b><i>Talks about the Absent</i></b> at this year's <i>Kunst Nacht
Stift Millstatt </i>on <b>July 28, 2023</b>. The platform for dance and art under the
label <i>Andrea K. Schlehwein + NETZWERK AKS</i>, which has been setting
impulses in Carinthia for 15 years, will be available at ART SPACE stift
millstatt for an exchange of ideas and proposals. We will not dance. Dance
costs. Apart from money also a clear stance.
</p>
<p>
There will be dance nonetheless. The next new production of Andrea K.
Schlehwein + NETZWERK AKS is created as an international co-production
with Ljubljana’s oldest dance theater, with a newly formed ensemble
negating national borders. The dance production <b>dis:place</b> will be
presented as part of the UKREP Festival of Dance Perspectives Slovenia on
<b>June 26 in Maribor</b> and on <b>June 28 in Ljubljana</b> – and perhaps later in the
year elsewhere in Carinthia, wherever dance is welcome.
</p>
AKS, May 2023
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</div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-60796631500545144812023-04-20T14:30:00.001+02:002023-11-10T18:43:53.486+01:00Ausstellung verlängert . exhibtion extended!ILLUSION – DELUSION<!--START 2 COL TABLE-->
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<p>
Gute Neuigkeiten, falls Sie noch nicht die Gelegenheit hatten, die
Ausstellung<br>ILLUSION – DELUSION [#curated by aks] im ART SPACE stift millstatt zu sehen. Sie wurde bis zum zum 6. Mai 2023 verlängert!<br />
</p>
<p><span style="font-size: medium;"><b>ILLUSION – DELUSION</b></span><br />
<b><span style="font-size: normal;">[FKc] Forum Kunst contemporary<br />
ART SPACE stift millstatt</span></b>
<br /><b><span style="font-size: normal;"><b>noch bis 6. Mai . Mi - Sa 15-18 Uhr</b></span></b></p>
<p>Wir freuen uns auf Ihren Besuch!</p>
<p>
Hier ein paar fotografische Eindrücke von <b>Jo Hermann</b> von der Ausstellungseröffung am 5. März
und sehen Sie sich unten unbedingt auch die <b>virtuelle Tour</b> durch die Ausstellungsräume an, die <b>Tim van den Oudenhoven</b>, einer der teilnehmenden Künstler, für uns gezaubert hat. Danke Tim!
</p>
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<p>
Good news, if you haven't had the opportunity to see the <b>group
exhibition ILLUSION – DELUSION [#curatedbyaks] at ART SPACE stift millstatt</b>. It has been
extended until 6th of May 2023!<br /><br />
</p>
<p>
</p>
<p><span style="font-size: medium;"><b>ILLUSION – DELUSION</b></span><br />
<b><span style="font-size: normal;">[FKc] Forum Kunst contemporary<br />
ART SPACE stift millstatt</span></b>
<br /><b><span style="font-size: normal;"><b>until May 6th . Wed - Sat 3-6 pm</b></span></b></p>
<p>We're looking forward to seeing you there!</p>
<p>
Here a few photographic impressions by <b>Jo Hermann</b> from the opening
on 5th of March, and also scroll down to check out the <b>virtual tour</b> through the exhibition spaces that <b>Tim van den Oudenhoven</b>, one of the participating artists, has created for us. Just
click in and wander through the exhibition rooms. Thank you Tim!
</p>
<p></p>
<p></p>
<p></p></div>
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<p>
<i>Die Arbeiten von <b>Christian Bazant-Hegemark</b>, <b>Vadim Fishkin</b>, <b>Georg
Planer</b>, <b>Annamaria Kowalsky</b>, <b>Tim van den Oudenhoven</b> und <b>Josef Winkler</b>
sind teils preisgekrönt und in internationalen Kunstvenues zu sehen.
In dieser Ausstellung treten sie ob der Unterschiedlichkeit ihrer
Arbeitsansätze und Genres in konfliktgeladene Beziehung zueinander,
werfen Fragen auf und begeben sich in ein spürbares Spannungsgefüge
unterschiedlicher Realitätsabbildung und Zukunftsentwürfen.</i> (aks)
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<p>
<i>The works of <b>Christian Bazant-Hegemark</b>, <b>Vadim Fishkin</b>,
<b>Annamaria Kowalsky</b>, <b>Tim van den Oudenhoven</b>,
<b>Georg Planer</b> and <b>Josef Winkler</b> are partly
award-winning and have been presented in international art venues.
In this exhibition, due to the diversity of their artistic
approaches and genres, they are put into a conflictual relationship
with each other, raising questions, and entering a palpable web of
tensions between different depictions of reality and visions of the
future.</i> (aks)
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<p><span style="font-family: Century Gothic; font-size: medium;">Virtual Tour von Tim van den Oudenhoven</span><br /><span style="font-family: Century Gothic; font-size: normal;">Einfach reinklicken und durch die Ausstellungsräume streifen.<br />
Just click in and wander through the exhibition spaces.</span></p>
<br />
<iframe allowfullscreen="true" frameborder="0" height="800px" mozallowfullscreen="true" msallowfullscreen="true" oallowfullscreen="true" scrolling="no" src="https://www.extractart.eu/VRtours/ILLUSION-DELUSION" webkitallowfullscreen="true" width="100%"></iframe>
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<div style="padding: 1em 1em 0em 1em; text-align: left;">Gruppenausstellung . group exhibition</div>
<div style="padding: 0em 1em 0em; text-align: left;"><span style="font-size: x-large;">ILLUSION – DELUSION</span></div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;"><b>#curatedbyaks</b></div>
<div style="text-align: left;"><br /></div>
<div style="text-align: left;"><span style="font-size: medium">@ [FKc] FORUM KUNST contemporary</span></div>
<div style="text-align: left;"><span style="font-size: medium;">ART SPACE stift millstatt</span></div><div style="text-align: left;">Stiftgasse 1 . A-9872 Millstatt . Austria</div>
<div style="text-align: left;"><br /></div></div><div style="padding: 0em 0em 0em 1em; text-align: left;">Werke von . works by</div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;"><span style="font-size: medium;">Christian Bazant-Hegemark | Vadim Fishkin | Annamaria Kowalsky<br />
Tim van den Oudenhoven | Georg Planer | Josef Winkler</span></div>
<div style="text-align: left;"><br /></div>
</div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;"><b>noch bis . until</b><span style="font-size: large;"><b> 06 05 2023</b></span></div><div style="text-align: left; font-size: normal; ">Mi-Sa . Wed-Sat . 15:00-18:00</div><div style="padding: 0em 1em; text-align: justify;"><div style="text-align: left;"><br /></div></div><div style="text-align: left;">Galeristin . galerist: Eleonore Schäfer + 43 676 418 5528 | <a href="mailto:forum.kunst@yahoo.com">forum.kunst@yahoo.com</a></div><div style="text-align: left;">Kuratorin . curator: Andrea K. Schlehwein +43 676 782 9753 | <a href="mailto:aks.office@andreakschlehwein.com">aks.office@andreakschlehwein.com</a></div><div style="text-align: left;"><br /></div>
<div style="text-align: left;"></div>
<div style="text-align: left;"><p>➔ <a href="http://www.forum-kunst-contemporary.com">www.forum-kunst-contemporary.com</a> | <a href="http://www.andreakschlehwein.com">www.andreakschlehwein.com</a></p></div>
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com1tag:blogger.com,1999:blog-6203645589087178693.post-13037058337072560112023-03-14T17:36:00.012+01:002023-11-10T18:44:04.018+01:00<div><br /><div class="separator" style="clear: both;"><a href="http://www.thepreview.co.kr/news/articleView.html?idxno=7290" target="_blank" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="680" data-original-height="1108" data-original-width="1601" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2GrYXgBmjz_LnGAUD9U_dOMp5O7LFgwNyHihSNVQfNPk1cXTr94hu3p6FxfrtkHyDIQ5XHN0hqmbFVK1bWZug8EtG2NUhMv_ucfMJnuRT27wlbLZ15-fC0h1xkduvMGVLgzBn8PBXmzw4Zvt0Xcai3Xe-R9VVsJmWyMSTpxjK3pWiRI7PeLxz4-fOsA/s600/PreView%20Korea%20Helnwein.png"/></a></div>
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<!---GERMAN TEXT--->Der Text <b>„Streifzüge . Radikale Körperbilder“ von Andrea K. Schlehwein</b>, der kürzlich in der österreichischen Kulturzeitschrift
<b>Die Brücke Nr. 34 </b>erschienen ist, wurde nun in koreanischer und
englischer Sprache auch im südkoreanischen Online-Kunstmagazin <b>THE
PREVIEW</b> veröffentlicht.
</div>
<div style="padding: 0em 2em 0em 0em; text-align: justify;"><br /></div>
<div style="padding: 0em 2em 0em 0em; text-align: justify;"><a href="http://www.thepreview.co.kr/news/articleView.html?idxno=7290" target="_blank"><b>
<u>Klicken Sie hier</u></b></a>, um zum Artikel auf der Website von <a href="http://www.thepreview.co.kr/news/articleView.html?idxno=7290" target="_blank"><b>THE PREVIEW</b></a> zu gelangen.</div>
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<!---ENGLISH TEXT--->The text <b>"Streifzüge . Radikale Körperbilder" by Andrea K. Schlehwein</b>, which was recently featured in the Austrian
cultural magazine <b>Die Brücke No. 34</b>, has now also been published in
Korean and English in the South Korean online arts magazine <b>THE
PREVIEW</b>.
</div>
<div style="padding: 0em; text-align: justify;"><br /></div>
<div style="padding: 0em; text-align: justify;"><b><a href="http://www.thepreview.co.kr/news/articleView.html?idxno=7290" target="_blank">
<u>Click here</u></a></b> to go to the article on the website of <a href="http://www.thepreview.co.kr/news/articleView.html?idxno=7290" target="_blank"><b>THE PREVIEW</b></a>.</div>
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com1tag:blogger.com,1999:blog-6203645589087178693.post-53909292923238144182023-02-17T16:57:00.000+01:002023-11-10T18:44:15.256+01:00<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9RZ1jvfHel-mpmvHcS054WYv1GeLa5cj1LbBHMo9QSrhcgwW4gSxmBBWvNt1VjR2yZDmugfKVDtDXS79Dz84BRNoV223dS8bYZi6PiM-q1oE3WxC1Mod6sELyx_dsPnK8_RzpF93LG3zUvAddAwLJtSkEiz-lf0XdT8Iw1w8EpMzkLFsv92G8XE8VgA/s1409/Header%201.2%20ILLUSION%20-%20DELUSION_2023%20no%20border.jpeg" style="text-align: center;"><img alt="" border="0" data-original-height="519" data-original-width="1409" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9RZ1jvfHel-mpmvHcS054WYv1GeLa5cj1LbBHMo9QSrhcgwW4gSxmBBWvNt1VjR2yZDmugfKVDtDXS79Dz84BRNoV223dS8bYZi6PiM-q1oE3WxC1Mod6sELyx_dsPnK8_RzpF93LG3zUvAddAwLJtSkEiz-lf0XdT8Iw1w8EpMzkLFsv92G8XE8VgA/s600/Header%201.2%20ILLUSION%20-%20DELUSION_2023%20no%20border.jpeg" width="700" /></a></div><br />
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<!---GERMAN TEXT--->
<p><span style="font-size: large;">ILLUSION – DELUSION</span></p>
<p>so lautet der Titel der aktuellen Gruppenausstellung von
<b>[FKc] FORUM KUNST contemporary</b>, kuratiert von Andrea K. Schlehwein. Unterschiedliche zeitgenössische Positionen zwischen Malerei, Objektkunst, Skulptur, Text und Bild, Fotografie und Algorithmus werden in den großzügigen, historischen Räumen des <b>ART SPACE stift millstatt</b> vom<br />
➔ <b>8. März bis 15. April jeweils mittwochs bis samstags von 15 bis 18 Uhr</b> gezeigt. </p>
<p>Die Arbeiten von <b>Christian Bazant-Hegemark</b>, <b>Vadim Fishkin</b>, <b>Annamaria Kowalsky</b>, <b>Tim van den Oudenhoven</b>, <b>Georg Planer</b> und <b>Josef Winkler</b> sind teils preisgekrönt und in internationalen Kunstvenues zu sehen. In dieser Ausstellung treten sie ob der Unterschiedlichkeit ihrer Arbeitsansätze und Genres in konfliktgeladene Beziehung zueinander, werfen Fragen auf und begeben sich in ein spürbares Spannungsgefüge unterschiedlicher Realitätsabbildung und Zukunftsentwürfen. Erweitert wird der künstlerische Rahmen um eine weitere Komponente
sozialkritischer Kontextualisierung. Journalistinnen und Journalisten benennen mit dokumentarischen Statements politisch brennende Themen unserer Zeit.</p>
<p>Zur ➔ <b>VERNISSAGE am 05 März ab 11 Uhr vormittags</b> sind die Künstlerinnen und Künstler vor Ort. Gemeinsam mit der Galeristin Eleonore Schäfer und ihrem Team laden sie Sie herzlich zu einem Ausstellungsbesuch ein.</p>
<p>Die Eröffnung wird durch eine ➔ <b>Tanzperformance von NETZWERK AKS</b> mit der Tanzkünstlerin Maria Mavridou begleitet.</p>
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<!---ENGLISH TEXT--->
<p><span style="font-size: large;">ILLUSION – DELUSION</span></p>
<p>is the title of the upcoming group exhibition of
<b>[FKc] FORUM KUNST contemporary</b>, curated by Andrea K. Schlehwein. A variety of contemporary positions between painting, object art, sculpture, text and image, photography and algorithms will be shown in the spacious historic premises of <b>ART SPACE stift millstatt</b> from <br />➔ <b>8th of March to 15th of April, Wednesdays to Saturdays from 3 to 6 pm.</b></p>
<p>The works of <b>Christian Bazant-Hegemark</b>, <b>Vadim Fishkin</b>, <b>Annamaria Kowalsky</b>, <b>Tim van den Oudenhoven</b>, <b>Georg Planer</b> and <b>Josef Winkler</b> have partly won awards and been presented in international art venues. In this exhibition, due to the diversity of their artistic approaches and genres, they are put into a conflictual relationship with each other, raising questions, and entering a palpable web of tensions between different depictions of reality and visions of the future. The artistic framework will be expanded by an additional element of socio-critical contextualization. Journalists address politically burning topics of our time in documentary statements.</p>
<p>For the ➔ <b>VERNISSAGE on March 5 from 11 am</b>, the artists will be present. Together with gallery owner Eleonore Schäfer and her team, they cordially invite you to visit the exhibition.</p>
<p>The opening will be accompanied by a <b>➔ dance performance by NETZWERK AKS</b> with dance artist Maria Mavridou.</p>
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<br />Performance<br /><span style="font-size: large;">
EMBRACE FALLING</span><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
Tanz: Maria Mavridou</div><div style="padding: 0em; text-align: justify;"><br /></div><div style="padding: 0em; text-align: justify;">Im Rahmen der Austellungseröffnung am<br />5. März 2023 ab 11:00
</div><div style="padding: 0em; text-align: justify;"><br /></div><div style="padding: 0em; text-align: justify;">In the frame of the opening</div><div style="padding: 0em; text-align: justify;">on 5th March 2023 from 11 am</div>
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<div style="padding: 1em 1em 0em; text-align: left;"><span style="font-size: x-large;">ILLUSION – DELUSION</span></div><div style="padding: 0em 0em 0em 1em; text-align: left;">Gruppenausstellung . group exhibition</div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;">#curatedbyaks</div>
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<b><div style="text-align: left;"><b><span style="font-size: medium;">Vernissage</span></b> <b>05 03 2023 | 11:00</b></div></b><div style="text-align: left;">@ [FKc] FORUM KUNST contemporary . Austria</div><div style="text-align: left;"><br /></div></div><div style="padding: 0em 0em 0em 1em; text-align: left;">Werke von . works by</div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;"><span style="font-size: medium;">Christian Bazant-Hegemark | Vadim Fishkin | Annamaria Kowalsky<br />
Tim van den Oudenhove | Georg Planer | Josef Winkler</span></div>
<div style="text-align: left;"><br /></div><div style="text-align: left;"><b>Tanzperformance . dance performance</b></div><span style="font-size: medium;"><div style="text-align: left;">EMBRACE FALLING<b> </b></div></span><div style="text-align: left;">Andrea K. Schlehwein + NETZWERK AKS</div></div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;">Tänzerin . dancer: Maria Mavridou</div>
<div style="text-align: left;"><br /></div><div style="text-align: left;"><b>Dauer der Ausstellung . duration of the exhibition</b></div></div><div style="padding: 0em 0em 0em 1em; text-align: justify;"><div style="text-align: left;"><b>08 03 – 15 04 2023</b></div><div style="text-align: left;">Mittwoch bis Samstag . Wednesday to Saturday</div></div><div style="padding: 0em 0em 0em 1em; text-align: left;">15:00 - 18:00</div><div style="padding: 0em 1em; text-align: justify;"><div style="text-align: left;"><br /></div><div style="text-align: left;">Galeristin . galerist: Eleonore Schäfer + 43 676 418 5528 | <a href="mailto:forum.kunst@yahoo.com">forum.kunst@yahoo.com</a></div><div style="text-align: left;">Kuratorin . curator: Andrea K. Schlehwein +43 676 782 9753 | <a href="mailto:aks.office@andreakschlehwein.com">aks.office@andreakschlehwein.com</a></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-size: medium;">ART SPACE stift millstatt</span></div><div style="text-align: left;">Stiftgasse 1 . A-9872 Millstatt . Austria</div>
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<div style="text-align: left;"><p>➔ <a href="http://www.forum-kunst-contemporary.com">www.forum-kunst-contemporary.com</a> | <a href="http://www.andreakschlehwein.com">www.andreakschlehwein.com</a></p></div>
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-54525702707619706232023-01-25T15:15:00.000+01:002023-11-10T18:44:26.651+01:00<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO3phItv3HtmCK4iKY2XteyO9gdE9fwdJqowysBLWJBQLsWUR4vxzuRxfMgYn44Ma_dRcO4AXMvOgYYkEyaQDz08e2xVx9TWmzW0qz77BFT457yMaAgB8X9xGNr7NVV6kwXU4Md6q07e2JJWx5aLi1e4XO6cYfMWQkxq2h39yWig4xJ6mpyF7ObsRKsg/s2560/too%20many%20heroes_arte%20laguna%20prize_finalist_6.jpg" style="display: block; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1600" data-original-width="2560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO3phItv3HtmCK4iKY2XteyO9gdE9fwdJqowysBLWJBQLsWUR4vxzuRxfMgYn44Ma_dRcO4AXMvOgYYkEyaQDz08e2xVx9TWmzW0qz77BFT457yMaAgB8X9xGNr7NVV6kwXU4Md6q07e2JJWx5aLi1e4XO6cYfMWQkxq2h39yWig4xJ6mpyF7ObsRKsg/s600/too%20many%20heroes_arte%20laguna%20prize_finalist_6.jpg" width="700" /></a></div>
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<p><span style="font-size: large;">too many heroes</span><br />
ein Film von Andrea K. Schlehwein</p>
<p>Der von Andrea K. Schlehwein 2021 ausschließlich mit Mitteln des BMKOES gedrehte Film (Schnitt Lukas Pirkebner und Andrea K. Schlehwein) ist unter den Finalisten (Kategorie: Video Art) des Arte Laguna Prize 2023 vom 12 März bis 16. April 2023 im ikonischen Gebäude Arsenale Nord in Venedig zu sehen.</p>
<p>Schlehwein inszenierte mit ihrem NETZWERK AKS einen Tanz auf Asphalt, der aus Drohnenperspektive ein Durcheinander ähnlicher Situationen zeigt: attackieren und attackiert werden. Bilder von Bedrohung und Flucht, des zu-Boden-gerissen-Werdens wechseln ab mit innigen Momenten des Miteinanders: Schutz suchen, Umarmung, Erstarrung, des sich Kümmerns um andere. Eine Narration im klassischen Sinn gibt es nicht und doch zeigen die im unteren Viertel als Band in Wiederholung laufende Reels (30 Sekünder) die Innenperspektive der jeweiligen Protagonistin auf ein und dasselbe Geschehen. Abgebildet wird als Ganzes eine komplexe Wirklichkeit, in der alle Perspektiven ebenso berechtigt wie zu hinterfragen sind: sowohl die Drohnenaufsicht als auch die zehn subjektiven Blickwinkel, die den Menschen als Individuum im Gruppengeschehen zeigen.</p>
<p>Gedreht wurde auf einem asphaltierten Parkplatz in Spittal Kärnten mit 11 Kameras, 11 Handys, 6 Tänzerinnen, 4 Performern, 5 Kameramännern und Kamerafrauen von Five Elements Films GmbH.</p>
<p>Ausgelöst durch Bilder des brutalen Umsturzes der Demokratie in Myanmar hinterfragt Schlehwein die Macht der Bilder zwischen Fake und Fiction.</p>
<p>Nach Festivals in Deutschland und Bulgarien (2022) ist <i>too many heroes</i> 2023 nach der Präsentation in Venedig beim Klagenfurt Festival am 27. Mai im Burghof Klagenfurt zu sehen.</p>
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<p><span style="font-size: large;">too many heroes</span><br />
a film by Andrea K. Schlehwein</p>
<p>Schlehwein's film from 2021 (edited by Lukas Pirkebner and Andrea K. Schlehwein), funded exclusively by the Austrian Ministry of Culture (BMKOES), will be shown among the finalists (category: video art) of the Arte Laguna Prize 2023 from March 12th to April 16th 2023 in the iconic Arsenale Nord building in Venice.</p>
<p>Schlehwein staged a dance on asphalt with members of her NETZWERK AKS, viewed from a drone perspective and showing a jumble of similar situations: attacking and being attacked. Images of threat and flight, of being swept to the ground, alternate with intimate moments of togetherness: seeking shelter, embracing, freezing, caring for each other. There is no narration in the classical sense, and yet the reels running in 30 second loops in the lower quarter of the image show each protagonist's inner perspective on the same event. The whole depicts a complex reality in which all perspectives are equally justifiable as they are to be questioned: both the drone perspective and the ten subjective viewpoints showing the human being as an individual within a group setting.</p>
<p>The film was shot on an asphalt parking lot in Spittal an der Drau, Austria, with 11 cameras, 11 mobile phones, 6 dancers, 4 performers, and 5 cameramen and women from Five Elements Films GmbH.</p>
<p>Triggered by images of the brutal overthrow of democracy in Myanmar, Schlehwein questions the power of images between fake and fiction.</p>
<p>In 2023, after festivals in Germany and Bulgaria (2022), and following its presentation in Venice, <i>too many heroes</i> will also be shown at the Klagenfurt Festival on May 27th at the Burghof Klagenfurt, Austria.</p>
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<a href="https://artelagunaprize.com/17-edition-22-23/finalist-artists-22-23/" target="_blank"><img alt="" border="0" data-original-height="1080" data-original-width="1080" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsA3Ie3zlXaLRVtWqu0Ns8D0nOe8TP3TWIKIuRrzAH6GcQYmpQjjj2LCzXOVrAvbpw6kXNAAMREfjqPOk6MwR2CqHHttzzMJjpcISf67GE9k4WBN2PofVUjhMPYTXL3cMOq28oeotFf3eCFqhllH61X5fstXeqqpWl7IPFqQGKhNN1-yoG_ndZcX09pg/w276-h276/ARTE%20LAGUNA%20prize%20Venedig%202023_%2017%20Edition_aks%2001%202023.jpg" width="276" /></a>
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<div style="font-family: "century gothic"; text-align: center;"><span style="font-size: medium;"><a href="https://artelagunaprize.com/17-edition-22-23/finalist-artists-22-23/"><span style="color: #ffa400;">https://artelagunaprize.com/17-edition-22-23/finalist-artists-22-23/</span></a></span></div>
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CREDITS too many heroes</span><br />
All Concepts . Direction . Choreography: Andrea K. Schlehwein . Editing: Reels + Video: Lukas Pirkebner [Five Elements Films] + Andrea K. Schlehwein . Dance + Creation NETZWERK AKS: Leonie Humitsch . Alina Jacobs . Stanislaus Kernjak . Maria Mavridou . Maja Mirek . Kai Möller . Martin Schinagl . Rosalie Wanka . Ting An Ying . Roman Zotter . Filmteam: Five Element Films: Selina Nuart .Thomas Obereder . Lukas Pirkebner . Vera Polaschegg . Chris Rieder . Manuel Sackl . Assistant: Brigitte Büsken . Internship: Laura Rossbacher . Photos: all . Editing: Reels + Video: Lukas Pirkebner [Five Elements Films] + aks . Editing Trailer: Alina Jacobs . Graphic Layout + Head of Production: Eleonore Schäfer + aks . supported by Von der Bühne zum Video . BMKOES
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-37375536066570688942022-12-29T16:35:00.000+01:002022-12-29T16:35:14.775+01:00Rückblick 2022 | Looking back at 2022
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<p>Ein spannendes und intensives Jahr liegt hinter uns, mit zahlreichen <b>Neufassungen</b> und <b>Neuproduktionen</b> von <b>Andrea K. Schlehwein + NETZWERK AKS</b>, die 2022 nicht nur in der home base <b>ART SPACE stift millstatt</b>, sondern auch <b>international</b> auf verschiedenen <b>Festivals</b> präsentiert wurden.</p>
<p>Die Stücke <b>#robotic</b> und <b>#bones</b> [aus der ACCUMULATION Serie] wurden in Neufassungen in Millstatt und Ljubljana aufgeführt, <b>#shivering</b> wurde in neuer Besetzung zum <b>SoloDuo Festival Köln</b> eingeladen, <b>light things and dark things</b> wurde für das <b>Festival UKREP Ljubljana</b> neu inszeniert. Der TANZfilm <b>too many heroes</b> wurde u.a. auf Festivals in Deutschland und Bulgarien präsentiert.</p>
<p>Als <b>Neuproduktionen</b> wurden die Stücke <b>lost landscapes</b> und<b>「inter relations」</b>(betstehend aus archipelago 1-7) im ART SPACE stift millstatt uraufgeführt und in Rahmen des Projekts MONOLITH (initiiert von den Bildhauern Georg Planer und Peter Paszkiewicz) wurde im Steinbruch Modre im Kärntner Maltatal das site-spezifische Stück <b>#stone</b> erarbeitet und uraufgeführt – nebst einer zweiten Fassung im Pankratium - Haus des Staunens Gmünd.</p>
<p>Das Symposion <b>POSITIONEN 022 | HYBRID FORMATS</b> brachte im April über 30 Künstler:innen aus 15 verschiedenen Ländern und zahlreichen Disziplinen für einen lebendigen Austausch im ART SPACE stift millstatt zusammen, mit Vertreter:innen aus dem zeitgenössischen Tanz, der bildenden Kunst, Lehre und Forschung, Architektur, Denkmalpflege, Design, Fotografie, Video-, Soundkunst uvm.</p>
<p>Im Rahmen der <b>A . I . R . residency</b> war <b>Suhwa Kim aus Südkorea</b> im ART SPACE stift millstatt zu Gast, um sich mit den Themen Virtual Reality, Komposition und Chaos auseinanderzusetzen und in einer <b>in : formal</b> Präsentation ihre Arbeit dem Publikum näher zu bringen. Außerdem hatte sie im Rahmen der Residenz die Gelegenheit, ihr Stück <b>Pixelance</b> in <b>Ljubljana</b> aufzuführen.</p>
<p>Nachfolgend ein Überblick über die Produktionen und Initiativen, die in diesem Jahr von <b>Andrea K. Schlehwein + NETZWERK AKS</b>, dem <b>büro für tanz | theater | produktionen</b> und seinen Kooperationspartnern realisiert wurden.</p>
<p>Wir wünschen allen Freund:innen, Kolleg:innen, unserem Publikum und unseren Fördergebern ein schönes, gesundes und erfolgreiches 2023!</p>
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<p>We're looking back at an exciting and intensive year with numerous <b>revised and new productions </b>by <b>Andrea K. Schlehwein + NETZWERK AKS</b>, which were presented in 2022 not only in the home base of <b>ART SPACE stift millstatt</b>, but also <b>internationally</b> at various <b>festivals</b>.</p>
<p>New versions of the pieces <b>#robotic</b> and <b>#bones</b> [from the ACCUMULATION series] were performed in Millstatt and Ljubljana, <b>#shivering</b> was presented at the <b>SoloDuo Festival Cologne</b> in a new cast, <b>light things and dark things</b> was restaged for <b>Festival UKREP Ljubljana</b><br />The DANCE film <b>too many heroes</b> was shown at festivals in <b>Germany</b> and <b>Bulgaria</b>.</p>
<p>The <b>new productions lost landscapes</b> and<b>「inter relations」</b>(consisting of archipelago 1-7) were premiered at ART SPACE stift millstatt and in the context of the project <b>MONOLITH</b> (initiated by the sculptors Georg Planer and Peter Paszkiewicz) the site-specific production <b>#stone</b> was developed and premiered in the Modre quarry in the Carinthian Malta Valley - along with a second version at Pankratium Haus des Staunens Gmünd.</p>
<p>In April, the symposium <b>POSITIONEN 022 | HYBRID FORMATS</b> brought together more than 30 artists from 15 countries and numerous disciplines for a lively exchange at ART SPACE stift millstatt, with representatives from contemporary dance, fine arts, research and education, architecture, monument preservation, design, video and sound art, photography and much more. </p>
<p>An <b>A . I . R . residency</b> brought <b>Suhwa Kim from South Korea</b> to ART SPACE stift millstatt, where she explored the themes of virtual reality, composition and chaos and shared her research with the audience in an <b>in : formal</b> presentation. As part of the residency, she also had the opportunity to perform her piece <b>Pixelance</b> in <b>Ljubljana</b>.</p>
<p>Below you will find an overview of the productions and initiatives realized this year by <b>Andrea K. Schlehwein + NETZWERK AKS</b>, the <b>büro für tanz | theater | produktionen</b> and its cooperation partners.</p>
<p>We want to wish all our friends, colleagues, our audience and funders a happy, healthy and successful 2023!</p>
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<div style="font-family: "century gothic";"><b><span style="font-size: medium; text-align: justify;"> RÜCKBLICK 2022 | LOOKING BACK AT 2022</span></b></div>
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<b>HYBRID FORMATS</b><br />
POSITIONEN 022 | Diskurse + Dialoge im Zeitgenössischen Tanz<br />
#curatedbyaks
<br />
<br /><span style="font-size: normal;">
<b>15</b> Nations</span><br />
<span style="font-size: x-small;">Argentina . Belgium . Bosnia and Herzegovina . Germany . Dominican Republic . France . Israel . Italy . Netherlands . Austria . Phillippines . Switzerland . Slovenia . South Korea . Taiwan</span><br /><br />
<span style="font-size: normal;">
<b>37</b> Artists + Creators</span><br />
<span style="font-size: x-small;">
Eric Baronsky. Christian Bazant-Hegemark . Axel Böcker . Brigitte Büsken . Romana Egartner . Unita Gay Galiluyo . Inge Gappmaier . Abriel Gardner . Renate Graziadei . Jo Hermann . Aron Hollinger . Bostjan Inaijic . Alina Jacobs . Suhwa Kim . Eva Maria Kraft . Smirna Kulenović . Matan Lewkovich . Jye Hwei Lin . Maria Mavridou . Maja Mirek . Julia Moser . Ok Sang Hoon . Tim van den Oudenhoven . Su Young Park . Carlos Osatinsky . Fernando Nicolás Pelliccioli . Maayan Reiter . Laura Rossbacher . Katja Somrak . Evamaria Schaller . Eleonore Schäfer . Andrea K. Schlehwein . Deborah Sengl . Arthur Stäldi . Darrel Toulon . Rosalie Wanka . Roman Zotter
</span><br /><br />
<b>40</b> Programme items in 3 days<br />
<br /><div style="text-align: left;"><span style="font-size: small;"><a href="https://vimeo.com/692976726" target="_blank"><b> ➔ Trailer</b></a></span></div><div style="text-align: left;"><span style="font-size: small;"></span><span style="font-size: small;"><a href="https://extractart.eu/VRtours/AKS/VR/" target="_blank"><b>➔ VR Tour</b></a></span>
<div style="font-size: x-small;">[ExtractArt / Tim van den Oudenhoven]</div></div></div>
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<b>light things + dark things</b><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
<br />
<b>NEUfassung . NEWversion</b><br />
<span style="font-size: x-small;">dance + creation: Jye Hwei Lin . Aureliusz Rys<br />
assistant: Unita Gay Galiluyo<br />
scenography . choreography . artistic direction:<br />Andrea K. Schlehwein<br /></span>
<br />
May 2022 @ART SPACE stift millstatt<br />
Jun 2022 @ Festival UKREP Ljubljana<br />
<br /><a href="https://vimeo.com/775905487" target="_blank"><b>➔ Trailer</b></a><br />
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<b>#bones <span style="font-size: x-small;">[from the ACCUMULATION series]</span></b><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
<br />
<b>NEUfassung . NEWversion</b><br />
<span style="font-size: x-small;">dance + creation: Maria Mavridou<br />
film . tec: Roman Zotter<br />
concept . soundscape . fiom images . direction:<br />Andrea K. Schlehwein<br /></span>
<br />
Apr 2022 @ ART SPACE stift millstatt<br />
Aug 2022 @ DUM Ljubljana<br />
<br /><a href="https://vimeo.com/747610431" target="_blank"><b>➔ Trailer</b></a> <br />
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<b>#robotic <span style="font-size: x-small;">[from the ACCUMULATION series]</span></b><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
<br />
<b>NEUfassung . NEWversion</b><br />
<span style="font-size: x-small;">dance + creation: Unita Gay Galiluyo<br />
scenography . choreography . artistic direction:<br />Andrea K. Schlehwein<br /></span>
<br />
Apr . Jul . Nov 2022 @ ART SPACE stift millstatt<br />
Aug 2022 @ DUM Ljubljana<br />
<br />
<a href="https://vimeo.com/773373439" target="_blank"><b>➔ Trailer</b></a>
<br />
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<b>#shivering<span style="font-size: x-small;">[from the ACCUMULATION series]</span></b><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
<br />
<b>NEUfassung . NEWversion</b><br />
<span style="font-size: x-small;">dance: Alina Jacobs . Andrea Maria Handler<br />
assistant: Unita Gay Galiluyo<br />
choreography: Andrea K. Schlehwein<br /></span>
<br />
May 2022<br />@SoloDuo Festival Cologne . Germany<br />
<br />
<a href="https://vimeo.com/778521934" target="_blank"><b>➔ Trailer</b></a>
<br />
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<b>lost landscapes</b><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
<br />
<b>NEUproduktion . NEWproduction</b><br />
<br />
<span style="font-size: x-small;">dance: Unita Gay Galiluyo . Jye Hwei Lin . Aureliusz Rys<br />
assistant . TEC operation: Suhwa Kim<br />
scenography . choreography . artistic direction:<br />Andrea K. Schlehwein</span><br />
<br />
Premiere:<br />May 2022 @ART SPACE stift millstatt<br />
<br />
<a href="https://vimeo.com/784720345" target="_blank"><b>➔ Trailer</b></a>
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<b>「inter relations」</b><br /><span style="font-size: x-small;">
archipelago<sup>1</sup> . archipelago<sup>2</sup> . archipelago<sup>3</sup> archipelago<sup>4</sup> . archipelago<sup>5</sup> . archipelago<sup>6</sup></span><br />
Andrea K. Schlehwein + NETZWERK AKS<br />
<br />
<b>NEUproduktion . NEWproduction</b><br />
<br />
<span style="font-size: x-small;">scenography . choreography:<br /> Jye Hwei Lin . Andrea K. Schlehwein<br />
dance + creation:<br />Unita Gay Galiluyo . Andrea Maria Handler<br />
dance on screen: Claudia Fürnholzer<br />
assistant: Alina Jacobs</span><br />
<br />
Premiere:<br />
Jun 2022 @ART SPACE stift millstatt<br />
<br />
<a href="https://vimeo.com/745672720" target="_blank"><b>➔ Trailer</b></a>
<br />
<br />
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<b>#stone</b>
<br />
<br />
<b>NEUproduktion . NEWproduction</b><br />
<br />
<span style="font-size: x-small;">concept . direction: Andrea K. Schlehwein<br />
dance + creation: Maria Mavridou<br />
collaboration: Roman Zotter<br /><br />
A collaboration of Andrea K. Schlehwein + NETZWERK AKS and MONOLITH Peter Paszkievicz + Georg Planer</span>
<br /><br />
Premiere Oct 2022<br />
@Steinbruch Modre . Maltatal . Austria<br />
@Pankratium Haus des Staunens . Gmünd . Austria
<br />
<br />
<a href="https://vimeo.com/754134088" target="_blank"><b>➔ Teaser</b></a>
<br />
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<!---ENGLISH TEXT---><hr />
<b>too many heroes</b>
<br />
<br />
<b>TANZfilm . DANCEfilm</b><br />
<br />
<span style="font-size: x-small;">concept . direction . choreography: Andrea K. Schlehwein<br />
dance + creation: Leonie Humitsch . Alina Jacobs . Stanislaus Kernjak . Maria Mavridou . Maja Mirek . Kai Möller . Martin Schinagl . Rosalie Wanka . Ting An Ying . Roman Zotter<br />
Assistant: Brigitte Büsken<br />
Internship: Laura Rossbacher
<br />Film Team: [Five Element Films] Selina Nuart .Thomas Obereder . Lukas Pirkebner . Vera Polaschegg . Chris Rieder . Manuel Sackl
<br />Editing: Lukas Pirkebner [Five Elements Films] + Andrea K. Schlehwein<br /></span>
<br />
Sept 2022 @International Dance Film Festival tanz<i>AHOI</i> Hamburg . <br />
Oct 2022 @moving body festival . Varna . Bulgaria
<br />
<br />
<a href="https://vimeo.com/656033942" target="_blank"><b>➔ Trailer</b></a>
<br />
<br />
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<div style="padding: 0em 1em 0em 0em; text-align: left;">
<!---IMAGES--->
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<b>A . I . R . </b> <br />
<b>residency@ART SPACE stift millstatt</b><br />
<span style="font-size: x-small;">#curatedbyaks</span><br />
<br />
Apr 2022<br />
Suhwa Kim . Seoul . South Korea<br />
<br />
<b>in : formal</b> .
showing + artist talk
<br />
<span style="font-size: x-small;">Research Presentation May 2022<br />
<br />A collaboration of ARCO South Korea and<br />büro für tanz | theater | produktionen</span>
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-41553871375106028532022-11-17T16:19:00.001+01:002022-11-17T16:19:25.088+01:0019 NOV 2022 — Europäische Theaternacht @ ART SPACE stift millstatt<!---START 3 COL TABLE FOR IMAGES --->
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<!---IMAGE--->
<div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVrNRhJi-Nf4DcAAuUgbDZfWi8mb7VlACnqEvkAPVe8lQTsYLoe4kfI18iKuK8TyWojOCWRGJ3fWLTPy-PorLAOm3OEjKoo2NdC1Sere0dSLU0cmClQr1qfT3N3Maj4aQTfqyF3Dl6U5LrIZsA7QF1qjIYtIB5KT-dWHOPeOU2AW8kYgWUliBc9SgAA/s2000/%23robotic_ro2@andreakschlehwein.com.jpg"><img alt="#robotic" border="0" data-original-height="1177" data-original-width="2000" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVrNRhJi-Nf4DcAAuUgbDZfWi8mb7VlACnqEvkAPVe8lQTsYLoe4kfI18iKuK8TyWojOCWRGJ3fWLTPy-PorLAOm3OEjKoo2NdC1Sere0dSLU0cmClQr1qfT3N3Maj4aQTfqyF3Dl6U5LrIZsA7QF1qjIYtIB5KT-dWHOPeOU2AW8kYgWUliBc9SgAA/s320/%23robotic_ro2@andreakschlehwein.com.jpg" width="355" /></a></div>
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<div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic8TL4Y1cxSA_jE4Fkvdeb0gwLliBFnKfK-uVmroWv1OZOC_eTOO_nhpGOUyL_M08rcuOnF4FsIuJrD2Ik90Gt8LApciG3DFeFpkJw1kKaVrJLWO3ky5IWkHw5dIgMBPen5vFP5hls-80ZBqF9o6I-KkDrCHPP7bFmUDajN6g9Rvxed-xJy3CnMbPjsA/s2560/too%20many%20heroes_dancefilm_Screenshot_7.2_300dpi.jpg"><img alt="too many heroes" border="0" data-original-height="1600" data-original-width="2560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic8TL4Y1cxSA_jE4Fkvdeb0gwLliBFnKfK-uVmroWv1OZOC_eTOO_nhpGOUyL_M08rcuOnF4FsIuJrD2Ik90Gt8LApciG3DFeFpkJw1kKaVrJLWO3ky5IWkHw5dIgMBPen5vFP5hls-80ZBqF9o6I-KkDrCHPP7bFmUDajN6g9Rvxed-xJy3CnMbPjsA/s320/too%20many%20heroes_dancefilm_Screenshot_7.2_300dpi.jpg" width="335" /></a></div>
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<div style="border: 0px solid rgb(0, 0, 10); font-family: "century gothic"; padding: 0em;">
<span style="font-size: medium;"><b>Europäische Theaternacht | European Theatre Night</b></span> <br />
<!---START BODY---><span><b style="font-size: medium;">19 November 2022</b> . </span><span style="font-size: medium;"><b>20 Uhr | 8 pm</b></span>
<br /><span style="font-size: medium;"><b>ART SPACE stift millstatt<br /></b></span></div>
<br />
<div style="font-family: "century gothic";"><span style="font-size: medium;"><b><br /></b></span></div><div style="font-family: "century gothic";">
<hr />
<span style="font-size: medium;"><b>PROGRAMM<br /></b></span><hr />
<br />
<table style="border: 0px solid rgb(0, 0, 10); font-family: "century gothic" width: 100;">
<tbody>
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<td style="border: 0px solid rgb(0, 0, 10); text-align: left;" valign="top" width="75%">
<div style="padding: 0em; text-align: left;"><span style="font-size: large;"><b>
1 </b></span><br />
<span style="font-size: medium;"><b>
#robotic [aus der ACCUMULATION Serie]</b></span><br />
Andrea K. Schlehwein + NETZWERK AKS <br />
<br />
Dance + Creation: Unita Gay Galiluyo<br />
Choreografie . Szenografie . Konzept: Andrea K. Schlehwein<br />
<br /></div></td>
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20 Pflastersteine, Symbol für Auflehnung und Revolte, werden in das dynamische, tänzerische Geschehen integriert. Verwirrung wird sichtbar, Irritation und Überforderung, Wut und Hilflosigkeit geben diesem anspruchsvollen Tanzsolo eine unverwechselbare Atmosphäre.
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20 paving stones, symbol of rebellion and revolt, are integrated into the dynamic dance action. Confusion becomes visible, irritation and excessive demands, rage and helplessness give this demanding contemporary dance solo an unmistakable atmosphere.</div></td></tr></tbody></table>
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<div style="text-align: left;"><span style="font-size: normal;">---- kurze Pause | short break BREAK ----</span></div><br />
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2 </b></span><br />
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too many heroes <br /></b></span>
Andrea K. Schlehwein + NETZWERK AKS <br />
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<b>[TANZFILM | DANCE FILM . 2021]</b><br />
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Tanzfilm von Andrea K. Schlehwein aus dem Jahr 2021, der im Moment auf internationalen Festivals zu sehen ist. Mit Tänzerinnen und Tänzern des NETZWERK AKS. Geschnitten von Five Elements Films Spittal und Andrea K. Schlehwein.
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<br /><i>„ein schrecklich-schöner Film, der mich sehr berührt, auch im Gefühl der eigenen Ohnmacht gegenüber der allgegenwärtigen Gewalt. ... Ermutigend die vielen jungen Mitwirkenden.“</i></div>
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dance film by Andrea K. Schlehwein from 2021, which is currently being shown at international festivals. With dancers of the international artist collective NETZWERK AKS. Edited by Five Elements Films and Andrea K. Schlehwein.<br />
<br /><i>”a terribly beautiful film that touches me very much, also in the feeling of one's own powerlessness in the face of omnipresent violence. ... The many young participants are encouraging.“</i><br />
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<div style="text-align: left;"><span style="font-size: medium;">---- ARTIST TALK ----</span></div><br />
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3 </b></span><br />
<b><span style="font-size: medium;">
too many heroes </span></b><br />
Andrea K. Schlehwein + NETZWERK AKS
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<b>[REELS . 2021]</b><br />
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Zusätzlich zu dem 2021 entstandenen Tanzfilm <i>too many heroes</i> werden die 10 Reels als Einzelfilme gezeigt. Die Reels zeigen jeweils die subjektive Perspktive der handelnden Figur auf das Gesamtgschehen und sind als Roll und durchlaufendes Kontinuum im Film selbst zu sehen. Sie bilden einen wesentlichen Teil des Konzeptgedankens: obwohl sie alle dasselbe sehen ist es nie das gleiche Geschehen.
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In addition to the 2021 dance film <i>too many heroes</i>, the 10 reels are shown as individual films. The reels each show the subjective perspective of the acting character on the overall event and can be seen as a roll and an ongoing continuum in the film itself. They form an essential part of the conceptual idea: although they all see the same thing, it is never the same event.</div></td></tr></tbody></table>
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<div style="border: 1px solid rgb(0, 0, 10); font-family: "century gothic"; padding: 1em;"><b>Europäische Theaternacht</b><br />
19 November 2022 . 20:00<br />
@ART SPACE stift millstatt . Österreich | Austria<br />
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Unter dem Ehrenschutz des Bundespräsidenten der Republik Österreich<br />
Under the auspices of the president of the republic of Austria<br />
<br /><a href="https://europaeische-theaternacht.at/">
https://europaeische-theaternacht.at/</a><br /><a href="https://www.facebook.com/europaeischetheaternacht">
https://www.facebook.com/europaeischetheaternacht</a><br /><br /><b>
+++ kein Eintritt – freiwillige Spende | free admission - pay as you wish +++</b><br /><br /><b>
Ort | Location </b><br />
ART SPACE stift millstatt<br />
Stiftgasse 1<br />
9872 Millstatt<br />
Austria<br />
<br /><b>
Kontakt</b><br />
Andrea K. Schlehwein<br /><a href="mailto:aks.office@andreakschlehwein.com">
aks.office@andreakschlehwein.com</a><br />
+43 4766 35250<br />
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➔ Management: büro für tanz I theater I produktionen
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Andrea K. Schlehwein wird 2022 dankenswerterweise unterstützt durch:
BMKOES . Land Kärnten Kultur . Marktgemeinde Millstatt
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<!---END TEXTBOX---><br /><!---END 3 COL TABLE--->rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-90611473226979626532022-11-15T15:17:00.009+01:002022-11-15T15:36:40.567+01:00PARQUET BALL . Mateja Bučar @ ART SPACE stift millstatt<div style="font-family: "century gothic";">ein Gastspiel aus der Serie</div><div style="font-family: "century gothic";"><span style="font-size: medium;">Andrea K. Schlehwein . Contemporary Art Projects
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Am 12. November wurde als Gastpiel im ART SPACE stift millstatt das Stück <i>Parquet Ball</i> von Mateja Bučar (SLO) zum ersten Mal in Kärnten aufgeführt. Im Folgenden ein Text zum Stück von Vladimir Vidmar auf Slowenisch, mit Auszügen auf Englisch und Deutsch, begleitet von ein paar Fotos der Aufführung im ART SPACE.
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On 12th of November the guest performance <i>Parquet Ball</i> by Mateja Bučar (SLO) was performed at ART SPACE stift millstatt – it's first showing in Carinthia. Here is a text about the piece by Vladimir Vidmar in Slovenian, with excerpt in English and German, accompanied by a few photos from the performance at the ART SPACE.
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<b>Parquet Ball / Nad parketom</b><br />
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Parquet Ball je naslov plesnega dela Mateje Bučar. Bolj kot le siceršnje nakazovanje vsebine, bistva predstave, njene skrivne poante in implikacije je naslov tukaj vse, ali kot zapoveduje sloviti latinski pregovor, nomen est omen. Parquet Ball nas sicer v prvi vrsti asociira na elaborirane dvoranske plese, bale, vrhunce družabnega življenja plesa v meščanski družbi: mogoče si predstavljamo, kako po razkošnih dvoranah krožijo pari v večernih oblekah, kako se ob slokih silhuetah v frakih vrti 'muslin'... Vendar tej živopisni asociaciji nasproti stoji stroga dobesednost naslova Parquet Ball: krogla, narejena iz parketa, parketna žoga. V srcu predstave Mateje Bučar je dobesedna materializacija naslova, okrogel predmet, narejen iz parketa, ki se v svoji asociativni nemosti, avtoreferencialnosti in tavtološkosti, spiritus movens – ponovno dobesedno, ki se nekoliko uncannily, ob izmenjujoči se prisotnosti plesnega telesa, giblje po prostoru.<br />
Bolj kot dialog se med plesalko in žogo dogaja svojevrstna vzporednost, dogajanje brez dramatičnega loka intencionalne interakcije dveh akterk. Namesto tega v prostoru najdemo dve telesi, dve zasebni entiteti, ki izvajata ena od druge razmeroma neodvisno koreografijo ter ustvarjata dva momenta, ki ju opredeljuje izrazita materialnost gibanja in zvoka. Plesalka in krogla delujeta kot dve dinamični enoti, ki v materialni razliki med seboj uravnavata in merita svoje gibanje. Podobno, kot se zgodi pri naslovu, njuno gibanje navdaja podobna ambivalenca med bolj ali manj namernimi aluzijami na plesno tradicijo in izrazito reduktivnostjo koreografskih momentov, ki so zvedeni na anatomsko kvaliteto giba, njegovo funkcionalnost in fizičnost. Ta dvojnost preveva celotno dogajanje predstave: kljub pogostim reminiscencam na poteze klasičnega baleta, presenetljivo opaznejšim v točkah, ki jih izvaja žoga, se pa vendarle ples dogaja kot študija lastne elementarnosti. Tako tudi baletni čevlji ene izmed plesalk služijo za ojačevanje materialnih aspektov giba, kot je trk enega topega predmeta ob drugega in surov, elementaren zvok, ki to spremlja. Refleksijo radikalne materialnosti predstava izrecno zgosti v sekvencah, v katerih se v plesu znajdeta dve parketni žogi: po tem trenutku ni več dvoma, vse nastopajoče so le material, ki točkovno zadeva drug material in zarisuje določeno arhe-shemo teles plesnega gibanja.<br />
Seciranje gibov v njihovi elementarnosti, členjenje plesnega giba na njegove anatomske praelemente v ostrem odklonu od asociativne linije dvoranskega plesa na parketu ali pa baleta orisuje določeno problematiko funkcionalnosti telesa in načinov, kako jo ples kultivira. Parquet Ball je v svoji oddaljenosti od parquet ball-a zgodba o plesu, ples o plesu kot fenomenologiji giba in prostora. Pri tem številni momenti sklicevanja na modernizem niso naključni: predstava je del obeleževanja stote obletnice izida prve številke revija aska, pelje nas torej v dvajseta leta 20. stoletja, čas Bauhausa in drugih modernih prelomnic, ki v različnih momentih predstave še kako najdejo svoj poklon. Ne nazadnje, predstavo v gibanje spravi parketna žoga, vase zaprti samoreferencialen objekt, ki istočasno povzema tako premišljevanje (plesnega, koreografskega) medija samega (tako ključno za siceršnjo prakso Bučarjeve) kot materializacijo samega prostora, prostor sam pa kot material umetniškega ustvarjanja. In kot sicer pri delu Mateje Bučar niti tukaj ne gre enostavno za sklep o tem, da je medij sporočilo: prej bi lahko njeno materialno shemo plesa v Parquet Ball razumeli kot iskanje tiste najbolj obče pragovorice telesa, ki je temelj univerzalnosti plesa, a hkrati vedno že povod in motivacija za njegove mnogotere kode.<br /><br />
Vladimir Vidmar
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Excerpts in English:<br />
<br />"Perhaps we can imagine the couples in evening dresses elegantly circling across luxurious parquet floor of a dance hall, but, that vivid association is contrasted by the strict literality of the title, Parquet Ball and in its remoteness from a parquet ball, is a story about dance; a dance about dance as the phenomenology of movement and space. Here, the numerous moments of reference to modernism are no coincidence. The performance is set in motion by a parquet ball, a self-referential object which is closed in on itself, and which simultaneously summarizes not only the thinking (in terms of dance, choreography) and the media itself but also a materialization of the space itself; the space as a medium of artistic creation. And here we also cannot simply conclude that the medium is the message: we might sooner understand the material scheme of dance in Parquet Ball as a search for that most common primordial language of the body, which is the foundation of the universality of dance, and also always the cause and motivation for its manifold codes."<br />
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Auszüge auf Deutsch:<br />
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„Man kann sich die Paare in Abendkleidern vorstellen, wie sie elegant über das edle Parkett eines Tanzsaals kreisen, doch diese bildhafte Assoziation steht im Gegensatz zur strengen Buchstäblichkeit des Titels Parquet Ball und ist – in seiner Abgrenzung zu einem Parkettball – eine Geschichte über den Tanz: ein Tanz über Tanz als Phänomenologie von Bewegung und Raum. Die zahlreichen Verweise auf die Moderne sind dabei kein Zufall. Die Aufführung wird von einem Ball aus Parkett in Bewegung gesetzt, einem selbstreferentiellen, in sich geschlossenen Objekt, das gleichzeitig nicht nur das (tänzerische, choreographische) Denken sowie das Medium selbst in sich zusammenfasst, sondern auch eine Materialisierung des Raumes: der Raum als Medium künstlerischen Schaffens. Dabei können wir nicht einfach schlussfolgern, das Medium sei die Botschaft: vielmehr sollten wir das materielle Konzept des Tanzes in Parquet Ball als eine Suche nach jener höchst allgemeinen Ursprache des Körpers verstehen, die das Fundament der Universalität des Tanzes ist und auch immer die Ursache und Motivation für seine vielfältigen Codes.“<br />
<br /><div style="text-align: right;"><span style="font-size: x-small;">Übersetzung aus dem Englischen:</span></div><div style="text-align: right;"><span style="font-size: x-small;">Roman Zotter</span></div>
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<div style="border: 1px solid rgb(0, 0, 10); font-family: "century gothic"; padding: 1em;"><span style="font-size: medium;">CREDITS</span><br /><br /><span style="font-size: large;">
PARQUET BALL</span><br /><br />
Idea/choreography: Mateja Bučar<br />
Idea, visual Concept: Vadim Fiškin<br />
Dance/co-Creation: Kristina Aleksova, Tina Valentan<br />
Sound: Borut Savski<br />
Light: Jaka Šimenc<br />
Construction of the parquet ball: Matija Jakin, MOJ HOBI<br />
Mechanics: Zavod ZET<br />
Production: The DUM - Association of Artists, Zavod Maska<br />
Coproduction: Obalne galerije Piran
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supported by:<br />
City Municipality of Ljubljana – Department of Culture, Ministry of Culture of the Republic of Slovenia<br />
DUM project space <br />
Land Kärnten . ART SPACE stift millstatt . [FKc] FORUM KUNST contemporary <br />
AKS + büro für tanz | theater | produktionen<br />
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Photos: DUM, aks, Stanislaus Kernjak, Laura Rossbacher
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-24708628730284730212022-11-01T15:57:00.000+01:002022-11-01T15:57:17.520+01:00PARQUET BALL . Mateja Bučar @ ART SPACE stift Millstatt<!---START TABLE --->
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Wir freuen uns, am <b>12. November 2022</b> als Kärntenpremiere das Gastspiel <b>PARQUET BALL</b> der slowenischen Choreographin <b>Mateja Bučar</b> im ART SPACE stift Millstatt willkommen zu heißen!</span></div><div style="padding: 0px 15px 0px 0px; text-align: justify;"><span style="font-family: Century Gothic;">Weitere Infos unten.
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We are happy to welcome the guest performance <b>PARQUET BALL</b> by Slovenian choreographer <b>Mateja Bučar</b> at ART SPACE stift millstatt on <b>12th November 2022</b>.</span></div><div style="padding: padding: 0px 0px 0px 0px; text-align: justify;"><span style="font-family: Century Gothic;">More info below.</span></div>
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<p>Wie bereits angekündigt, wird der Tanzfilm <b style="font-style: italic;">too many heroes</b> von <b>Andrea K. Schlehwein + NETZWERK AKS</b> aus dem Jahr 2021 auf dem <b>Moving Body Festival #7 </b>in <b>Varna, Bulgarien</b>, im Rahmen des Formats <b>critical moves</b>, präsentiert. Jetzt stehen Datum, Ort und Uhrzeit fest.</p>
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<p>As previously announced, the dance film <b><i>too many heroes</i></b> by <b>Andrea K. Schlehwein + NETZWERK AKS</b> from 2021 will be presented at the <b>Moving Body Festival #7 </b>in <b>Varna, Bulgaria</b> in the frame of the format <b>critical moves</b>. Date, place and time have now been confirmed.</p></div></td></tr></tbody></table>
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<td border="0px" padding="1em" valign="top" width="470px"><p><span style="font-size: medium;"><b>too many heroes [dance film 2021]</b></span><br />
Andrea K. Schlehwein + NETZWERK AKS</p>
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<span style="font-size: medium;"><b>Moving Body Festival #7: Critical Moves</b></span><br /><span style="font-size: medium;">28 Oct 2022 18:30-20:00<br /></span>Festival and Congress Centre<br />
<span style="font-size: medium;">Varna, Bulgaria<br /></span></td>
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<div class="separator" style="clear: both;"><a href="https://movingbody.bg/en/2022/10/13/28-10-too-many-heroes-en/" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="645" data-original-width="1164" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie2mRzFrdoj-BP1y5vRkLjCVqpc7RYkJTN6nQkHUUyIiL9DozjqDKZlrwDmyHiJHBy4-c90HSSVRoljj_TYowB2GoMJkKXsxgPMtphsAgisb4SqYhqrsi6F6q9ltguGeOBlyZQc-lFxJdrmGD69snzkMbBAmL8JdlkzzH1lKSd5iSN7CYnrCVc5T4EaQ/w675-h373/screenings_moving%20body%20festival%202022_2.png" style="display: block; padding: 1em 0px; text-align: center;" width="680" /></a></div>
<br /><span style="font-family: Century Gothic;"><a href="https://movingbody.bg/en/2022/10/13/28-10-too-many-heroes-en/" target="_blank">
https://movingbody.bg/en/2022/10/13/28-10-too-many-heroes-en/
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<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnM9xhkLEVvRm4E0dZlvNqJ4TbR7iQYxPNK7ndED2eo3qO_V6OB4oMCk8cELEHCfAy2Mbh5pQhn8mnKmNF168yZZmEkhEJdxSVdqUWsGlBgmjtIgcM96pJp2n3-uZRUQAD7B-hQZ-cjjyX29UjAmktNeressvoRYb05LUUdiY3aMtzrYMPtIc8JNP-Sg/s1697/PLAKAT%20too%20many%20heroes_Andrea%20K.%20Schlehwein%20+%20NETZWERK%20AKS_@andreakschlehwein.com_filmstills%20Five%20Elemenets%20Films_edit%20plakat%20AJ_2022_final%20version.jpg" style="clear: left; display: block; float: left; margin-bottom: 1em; margin-right: 1em; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1697" data-original-width="1200" height="961" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnM9xhkLEVvRm4E0dZlvNqJ4TbR7iQYxPNK7ndED2eo3qO_V6OB4oMCk8cELEHCfAy2Mbh5pQhn8mnKmNF168yZZmEkhEJdxSVdqUWsGlBgmjtIgcM96pJp2n3-uZRUQAD7B-hQZ-cjjyX29UjAmktNeressvoRYb05LUUdiY3aMtzrYMPtIc8JNP-Sg/w630-h891/PLAKAT%20too%20many%20heroes_Andrea%20K.%20Schlehwein%20+%20NETZWERK%20AKS_@andreakschlehwein.com_filmstills%20Five%20Elemenets%20Films_edit%20plakat%20AJ_2022_final%20version.jpg" width="680" /></a></div>rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-41229992933820047092022-10-14T19:31:00.008+02:002022-10-14T19:53:01.810+02:00#stone [from the ACCUMULATION series] + MONOLITH<table>
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+++ Please scroll down for English +++
</span><p>Die Neuproduktion <b>#stone [from the ACCUMULATION series]</b> von <b>Andrea K. Schlehwein + NETZWERK AKS</b> wurde am 9. Oktober im Rahmen des Projekts <b>MONOLITH, initiiert von den</b> beiden Bildhauern <b>Georg Planer</b> und <b>Peter Paszkiewicz,</b> in Gmünd und im Maltatal in Kärnten uraufgeführt. Die NETZWERK AKS Tänzerin <b>Maria Mavridou</b> über das Projekt:</p>
<p>„#stone [from the ACCUMULATION series] war eine weitere wunderschöne <b>Zusammenarbeit</b> mit <b>Andrea K. Schlehwein + NETZWERK AKS</b>, <b>Roman Zotter</b> und dem <b>büro für tanz | theater | produktionen</b>. Wieder ein Projekt, das tief ins Zellgedächtnis eingehen wird...</p>
<p>Ein herzliches Dankeschön an den Bildhauer <b>Georg Planer</b> für die Einladung im Rahmen des fortlaufenden Projekts <b>MONOLITH</b> und das Zusammenbringen aller Beteiligten: <b>Andreas Gasser</b> mit seinem einfühlsamen wie abenteuerlichen Dokumentarfilmschaffen. <b>Urs Klötzli</b> (Geologe), der uns faszinierende Einblicke in die Millionen Jahre alte Geschichte der Gesteinsbewegungen im Maltatal sowie in die Technik des Kletterns gegeben hat. <b>Manfred Tischitz</b>, Veranstalter der Aktivitäten im <b>Pankratium - Haus des Staunens</b> in Gmünd.</p>
<p>Ein großen Dank und viel Wertschätzung gilt auch <b>Herwig Modre</b>, Eigentümer des <b>Steinbruchs Pflüglhof</b> im Maltatal, der die Aktivitäten von MONOLITH in den letzten Jahren ermöglicht und unterstützt hat. Mit seiner neugierigen, feinfühligen und großzügigen Art stellte er uns einen unglaublich faszinierenden Ort zum Arbeiten zur Verfügung. Es war uns definitiv eine große Freude.”</p><br />
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<p><span style="font-family: Century Gothic;">On 9th of October, the new production <b>#stone [from the ACCUMULATION series]</b> by <b>Andrea K. Schlehwein + NETZWERK AKS</b> was performed in Carinthia, Austria in the frame of the project <b>MONOLITH</b> initiated by the two sculptors <b>Georg Planer</b> and <b>Peter Paszkiewicz</b>. NETZWERK AKS dancer <b>Maria Mavridou</b> about the project:</span></p>
<p><span style="font-family: Century Gothic;">"#stone [from the ACCUMULATION series] was one more fantastic <b>collaboration</b> with <b>Andrea K. Schlehwein + NETZWERK AKS</b>, <b>Roman Zotter</b> and <b>büro für tanz | theater | produktionen</b>. Another project to take deep into the cell memory...</span></p>
<p><span style="font-family: Century Gothic;">A heartfelt thank you to <b>Georg Planer</b> (sculptor) for inviting us in the frame of the on-going project <b>MONOLITH</b> and connecting us to all people involved: <b>Andreas Gasser</b> and his perceptive and adventurous documentary film making. <b>Urs Klötzli</b> (geologist) giving us inspiring insights both on the million year old histories of the movement of stones in Maltatal as well as climbing techniques. <b>Manfred Tischitz</b>, host of the activities at Pankratium Haus des Staunens in Gmünd.</span></p>
<p><span style="font-family: Century Gothic;">Huge thanks and appreciation to <b>Herwig Modre</b>, owner of the <b>stone quarry at Pflüglhof</b>, Maltatal for hosting and supporting the activities of MONOLITH in the past years. He offered us one of the most fascinating locations to work in with a curious, sensitive and generous spirit. We have definitely been lucky."</span></p>
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Photos: Roman Zotter
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyOYW3m_y55iFOgv3ds2SJFR-OWNf4j9_StIxit1Kf6lEVNITJdTjUYEzyiXX9mwC0KJeikWSvSzdQ017GGkgzr5BhcXTxQrEfeWg2IObaFsdIAw8m2QJb4nBdXpmp7res9Xw_M9yIZ2Qp1DB7E93TApM3dlCLFyQkPxK_ts2r6HcVyFA01RmKj1pZrQ/s2187/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221001__72ppi_2400px_photo_roIMGL1170.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: center;"><img alt="" border="0" data-original-height="1332" data-original-width="2187" height="122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyOYW3m_y55iFOgv3ds2SJFR-OWNf4j9_StIxit1Kf6lEVNITJdTjUYEzyiXX9mwC0KJeikWSvSzdQ017GGkgzr5BhcXTxQrEfeWg2IObaFsdIAw8m2QJb4nBdXpmp7res9Xw_M9yIZ2Qp1DB7E93TApM3dlCLFyQkPxK_ts2r6HcVyFA01RmKj1pZrQ/w200-h122/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221001__72ppi_2400px_photo_roIMGL1170.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLGJytOrOhylYusJ2sZAkycQIiqas_n8A0mkM90Hvhx-s_MhE6W8F1Jmx81ONqr41g4QvRrYICSW33JdOgfYPqHFhkgRUwGNP4uYA28KXb7ma-tnkF-pQG1Vu5kNfhzX4_bdaiZCGygdFTudYj3Hu85yQPs8sbGCPpOgO3RlfnjuFm18rI7IEzlDW2Vw/s2400/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221001_001_72ppi_2400px_photo_ro-7.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: center;"><img alt="" border="0" data-original-height="1366" data-original-width="2400" height="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLGJytOrOhylYusJ2sZAkycQIiqas_n8A0mkM90Hvhx-s_MhE6W8F1Jmx81ONqr41g4QvRrYICSW33JdOgfYPqHFhkgRUwGNP4uYA28KXb7ma-tnkF-pQG1Vu5kNfhzX4_bdaiZCGygdFTudYj3Hu85yQPs8sbGCPpOgO3RlfnjuFm18rI7IEzlDW2Vw/w200-h114/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221001_001_72ppi_2400px_photo_ro-7.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSEWWOc2Uj2o7_ph10f_zIgbmm-IHzL6LsZv-5_0tV59hPqlu-1FBs4VgXjY7rmp2lmJ0yAxama7nzR84XtJl8VgNcGgBIxnMfXSpEmQwrQX0i3Vipe9tIZE8YT2rwdRE7S9RXOb6ZLVqRdFj52H_piImuG6_7MXmXUzNUepSjf3XzQ7taM-qbKAkPMQ/s2400/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221001_001_72ppi_2400px_photo_ro-2.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: center;"><img alt="" border="0" data-original-height="1600" data-original-width="2400" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSEWWOc2Uj2o7_ph10f_zIgbmm-IHzL6LsZv-5_0tV59hPqlu-1FBs4VgXjY7rmp2lmJ0yAxama7nzR84XtJl8VgNcGgBIxnMfXSpEmQwrQX0i3Vipe9tIZE8YT2rwdRE7S9RXOb6ZLVqRdFj52H_piImuG6_7MXmXUzNUepSjf3XzQ7taM-qbKAkPMQ/w200-h133/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221001_001_72ppi_2400px_photo_ro-2.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-family: Century Gothic; font-size: x-small;">Maria Mavridou</span></td></tr></tbody></table>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6OZYwCd3tlH9RqHTowY-3QBVxV8XioMtJv-i7Qh2-0uCxFTVp5SBVSo33yqoNX2LAB9mbrAHncEdciq44sf2DXspefoyLx6W1fgXlScEzkaVcAH53mf1-ZLztnJmpBAZiW3tQxuoJSItS_xtGGXKRT6vCyWKPHWaVAG65l4UGOrsPDcWJcyQ1OggWSw/s2400/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221009_001_72ppi_2400px_photo_ro-5.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: center;"><img alt="" border="0" data-original-height="1600" data-original-width="2400" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6OZYwCd3tlH9RqHTowY-3QBVxV8XioMtJv-i7Qh2-0uCxFTVp5SBVSo33yqoNX2LAB9mbrAHncEdciq44sf2DXspefoyLx6W1fgXlScEzkaVcAH53mf1-ZLztnJmpBAZiW3tQxuoJSItS_xtGGXKRT6vCyWKPHWaVAG65l4UGOrsPDcWJcyQ1OggWSw/w200-h133/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221009_001_72ppi_2400px_photo_ro-5.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-family: Century Gothic; font-size: x-small;">Georg Planer</span></td></tr></tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4n9lqa3Z-IuMolL-vSfz0YwnEXAP2JPwyva4Qa30yseYIlD7GoUXkw2IOcV6iEl7i1PkHN7jMc1oEeg9Hw5U6yDYB9ZlooaZcVia-P_JhQteILTAX4EMmhk51598SH78p2uj8fL0J6Ir90YSnFiJheRIw52CLA5wXJ2l0J5AWXQWO3l8wrMw_1Ppgxw/s1278/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221009_001_72ppi_2400px_photo_ro-4.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: right;"><img alt="" border="0" data-original-height="1278" data-original-width="1238" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4n9lqa3Z-IuMolL-vSfz0YwnEXAP2JPwyva4Qa30yseYIlD7GoUXkw2IOcV6iEl7i1PkHN7jMc1oEeg9Hw5U6yDYB9ZlooaZcVia-P_JhQteILTAX4EMmhk51598SH78p2uj8fL0J6Ir90YSnFiJheRIw52CLA5wXJ2l0J5AWXQWO3l8wrMw_1Ppgxw/w194-h200/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_221009_001_72ppi_2400px_photo_ro-4.jpg" width="194" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-family: Century Gothic; font-size: x-small;">Urs Klötzli + Andrea K. Schlehwein</span></td></tr></tbody></table>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu3BLWyUMK2xkc_850ekkPl4Wnjbwft3Shb_3ziWs0MxVf2tCg0KR6t2IjMdULeRc7Vd0aJUcgDFfSeRvcPZoAZNa5eSUT4Y9KjhkD287rf8N6jGRsfzpGgqvBPFgXGfA-392vR3AuuYmf761fUZW0jMx3N5Sy9pwHIwaJQ_nKx7Hd5f--I9BTjmkeAg/s2400/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_-221009-%20photo-%20ro-IMGL1683.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: center;"><img alt="" border="0" data-original-height="1600" data-original-width="2400" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu3BLWyUMK2xkc_850ekkPl4Wnjbwft3Shb_3ziWs0MxVf2tCg0KR6t2IjMdULeRc7Vd0aJUcgDFfSeRvcPZoAZNa5eSUT4Y9KjhkD287rf8N6jGRsfzpGgqvBPFgXGfA-392vR3AuuYmf761fUZW0jMx3N5Sy9pwHIwaJQ_nKx7Hd5f--I9BTjmkeAg/w200-h133/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_-221009-%20photo-%20ro-IMGL1683.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-family: Century Gothic; font-size: x-small;">Steinbruch Modre Maltatal</span></td></tr></tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2K8osrYu_weq-Rw_DcxODRYPVn1KgTd2strjagD-FIH9ln7318tU1L_dv6R81Mblw8KxS9PxF49ZAbygmgl_R0dsWgAZm-fQa5VoJ1bq7lwlrGFpKLKM7LwBPiEIaXViyMv4HkVs1h3d-6dbS1EdR35djLMBEslJXl2q1p3XKSDx1LhKsESKhaTpcw/s2400/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_-221009-%20photo-%20ro-20221009_121347.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 0em 0px; text-align: center;"><img alt="" border="0" data-original-height="1350" data-original-width="2400" height="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2K8osrYu_weq-Rw_DcxODRYPVn1KgTd2strjagD-FIH9ln7318tU1L_dv6R81Mblw8KxS9PxF49ZAbygmgl_R0dsWgAZm-fQa5VoJ1bq7lwlrGFpKLKM7LwBPiEIaXViyMv4HkVs1h3d-6dbS1EdR35djLMBEslJXl2q1p3XKSDx1LhKsESKhaTpcw/w200-h113/%23stone_Andrea_K_Schlehwein+NETZWERK_AKS_-221009-%20photo-%20ro-20221009_121347.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: right;"><span style="font-family: Century Gothic; font-size: x-small;">Pankratium Gmünd</span></td></tr></tbody></table>
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<div style="border: 1px solid rgb(0, 0, 10); font-family: "century gothic"; padding: 1em;"><span style="font-size: medium;">CREDITS</span><br />
<br /><span style="font-size: medium;"><b>
#stone [from the ACCUMULATION series]</b></span><br />
Andrea K. Schlehwein + NETZWERK AKS<br /> Concept . Direction: Andrea K. Schlehwein<br /> Dance . Creation: Maria Mavridou<br /> Artistic Collaboration . Photos: Roman Zotter<br />
Production: büro für tanz | theater | produktionen 2022
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<br /><b><span style="font-size: medium;">
MONOLITH</span></b><br /> Georg Planer: Sculptor . Artistic Director<br /> Andreas Gasser: Film maker<br /> Urs Klötzli: Geologist<br />
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rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com0tag:blogger.com,1999:blog-6203645589087178693.post-48060801918296204362022-09-28T16:31:00.000+02:002022-09-28T16:31:04.538+02:00
<div style="font-family: "century gothic";"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLWfv7akdKmCVuhjTWHuPmG0bivBJnlW9Cde9TZZF26zhsLtpnaVs6QnxVBPP5fvHvqFncSykajJhhg0mYBY_4Js_lfgvg5FMq25yyRnpD6FUoB19CKNaNr5aKy5CZeA-fuTxnYuovhMb-BObWQ3PXgf-Z3nlz84Au7poBfyxciF1XHRbCYpIVQZKWHQ/s1600/MONOLITH3.png" style="display: inline !important; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1114" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLWfv7akdKmCVuhjTWHuPmG0bivBJnlW9Cde9TZZF26zhsLtpnaVs6QnxVBPP5fvHvqFncSykajJhhg0mYBY_4Js_lfgvg5FMq25yyRnpD6FUoB19CKNaNr5aKy5CZeA-fuTxnYuovhMb-BObWQ3PXgf-Z3nlz84Au7poBfyxciF1XHRbCYpIVQZKWHQ/s1600/MONOLITH3.png" /></a></div><div style="font-family: "century gothic";"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirCyZnnxOXPnd2lkCAE9_JKSb96EWZamvylMrKDppnB3m7QioR3p11thWKyGAiGwDSApNvEqXA0xNnp-3rl-5wLh2DtR-Xy8jJjYGCqp9ttMZe2VJWPuAd1XNzaTCOkMQwy5ZR0VSBVDuwDHUEydGVfc57aPNmWX3HXZ5-k2R1Kx-S-m1C480J8vVx4A/s1600/MONOLITH2.png" style="display: block; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1008" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirCyZnnxOXPnd2lkCAE9_JKSb96EWZamvylMrKDppnB3m7QioR3p11thWKyGAiGwDSApNvEqXA0xNnp-3rl-5wLh2DtR-Xy8jJjYGCqp9ttMZe2VJWPuAd1XNzaTCOkMQwy5ZR0VSBVDuwDHUEydGVfc57aPNmWX3HXZ5-k2R1Kx-S-m1C480J8vVx4A/s1600/MONOLITH2.png" /></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8nEHUgYDjuKZJ5TEr76Ztk91e-BJ9M0ND6dfyHYk7zi2v5nNHbi8W8Ply1mmkWYOF5ozhkSnBsCuzra4pLcvOjTJ60HwPIXvA-E_S1PJ9HxgN5NyKXnmIuxGC2tlX9oeGmC2N554TYjW1zhgcU5tV2YPDwRNOMYMjeBgqKE5koVCc3XkrxOGVqNSjAA/s1600/MONOLITH1.png" style="display: block; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1088" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8nEHUgYDjuKZJ5TEr76Ztk91e-BJ9M0ND6dfyHYk7zi2v5nNHbi8W8Ply1mmkWYOF5ozhkSnBsCuzra4pLcvOjTJ60HwPIXvA-E_S1PJ9HxgN5NyKXnmIuxGC2tlX9oeGmC2N554TYjW1zhgcU5tV2YPDwRNOMYMjeBgqKE5koVCc3XkrxOGVqNSjAA/s1600/MONOLITH1.png" /></a></div>
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixsjxJYVXbJ8KZR2devVFkCyjHTVv3_F_NNENPooh_RKjxzgUMzZXaEwuRCVzH9IfPq9CmA368PMWeqjjqaILgjDYRJIYl1a_jk9kOc-aR77kzkliSu7uMirLBeZnhnRMFyiDSqavyLU52WkAuNn-N7LAX6HLwM7IUGphJD5JpYuMo4GFeYbFLUw4Vgw/s774/MONOLITH4.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="774" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixsjxJYVXbJ8KZR2devVFkCyjHTVv3_F_NNENPooh_RKjxzgUMzZXaEwuRCVzH9IfPq9CmA368PMWeqjjqaILgjDYRJIYl1a_jk9kOc-aR77kzkliSu7uMirLBeZnhnRMFyiDSqavyLU52WkAuNn-N7LAX6HLwM7IUGphJD5JpYuMo4GFeYbFLUw4Vgw/s16000/MONOLITH4.png" /></a></div><br />
rohttp://www.blogger.com/profile/13076823232215250519noreply@blogger.com1tag:blogger.com,1999:blog-6203645589087178693.post-10919780771907744202022-09-17T14:13:00.000+02:002022-09-17T14:13:14.647+02:00too many heroes @ Moving Body Festival . Varna, Bulgaria<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHFSkQ2C9nfiVEcVa0NMKMNJFUpQDtCckaY0MwViNMCwyGDJtSW5DqoIRCjPOzLa3daXSkL27GTv17Lh-tikAu77NZaIe453D_TOsHAwWnR03XYnirtCChFXeCy11RdmLGIO_Iw__6jzw3bjPFYW4BrDrHLcg-Ed3r1-h9YrdjEndq1jwBeC_R7zPmcA/s1250/too%20many%20heroes%203.jpg" imageanchor="1" style="margin-left: 0em; margin-right: 0em;"><img border="0" data-original-height="405" data-original-width="1250" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHFSkQ2C9nfiVEcVa0NMKMNJFUpQDtCckaY0MwViNMCwyGDJtSW5DqoIRCjPOzLa3daXSkL27GTv17Lh-tikAu77NZaIe453D_TOsHAwWnR03XYnirtCChFXeCy11RdmLGIO_Iw__6jzw3bjPFYW4BrDrHLcg-Ed3r1-h9YrdjEndq1jwBeC_R7zPmcA/w658-h214/too%20many%20heroes%203.jpg" width="680" /></a></div>
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<p>Nach der Vorführung beim TANZahoi Festival in Hamburg wird der Tanzfilm <b><i>too many heroes</i></b> von <b>Andrea K. Schlehwein + NETZWERK AKS</b> aus dem Jahr 2021 Ende Oktober auch auf dem <b>Moving Body Festival #7 : Critical Moves</b> in <b>Varna, Bulgarien</b> präsentiert.</p>
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<p>Following the screening at TANZahoi Festival in Hamburg, Germany, the dance film <b><i>too too many heroes</i></b> by <b>Andrea K. Schlehwein + NETZWERK AKS</b> from 2021 will also be shown at the <b>Moving Body Festival #7 : Critical Moves</b> in <b>Varna, Bulgaria</b> in the end of October.</p></div></td></tr></tbody></table>
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<td border="0px" padding="1em" valign="top" width="470px"><p><span style="font-size: medium;"><b>too many heroes [dance film 2021]</b></span><br />
Andrea K. Schlehwein + NETZWERK AKS</p>
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<span style="font-size: medium;"><b>Moving Body Festival #7: Critical Moves</b></span><br /><span style="font-size: medium;">End of October 2022</span><br />
<span style="font-size: medium;">Varna, Bulgaria</span></td>
<td border="0px" padding="1em" valign="top" width="200"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQXXNEE0uamqEoZKNVwXPGpzahXltiC6dyDSR2kRky-7mK0oGfdWH0ONHRjxucv_zHLHiqXMJMgVqt4cK07LWDMNqgtIji8cis-DCrQ1_L79CVvlm6o9ABpdzXoZ55DNfB-ktXt5PN_drCFpKPsOQbUy4Jq4dp0cccQVSXby_4OK18zLc7t-BFal3rA/s1920/moving%20body%20logo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1920" data-original-width="1920" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQXXNEE0uamqEoZKNVwXPGpzahXltiC6dyDSR2kRky-7mK0oGfdWH0ONHRjxucv_zHLHiqXMJMgVqt4cK07LWDMNqgtIji8cis-DCrQ1_L79CVvlm6o9ABpdzXoZ55DNfB-ktXt5PN_drCFpKPsOQbUy4Jq4dp0cccQVSXby_4OK18zLc7t-BFal3rA/w148-h148/moving%20body%20logo.jpg" width="148" /></a></div><br />
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