Saturday, October 31, 2015

things we lost in the fire / TANZ IM NOVEMBER

3a (1 von 1)
things we lost in the fire
Tanzabend
After many installations and film works integrating contemporary dance, choreographer Andrea K. Schlehwein in her new production focusses on what is currently most essential to her: pure dance.
things we lost in the fire is a classically composed dance piece for six to eight dancers from the artists collective NETZWERK AKS I Platform for Contemporary Dance + Art.
Premiere 6. November 2015 I 8pm, Theater Halle 11 Klagenfurt
Performance 7. November 2015 I 8 pm, Theater Halle 11 Klagenfurt
Performance 18. November 2015 I 8 pm, kunst im stift, Stift Millstatt
Excerpt 20. November 2015 I 8 pm, kunst im stift, Stift Millstatt
Choreography, Space, Sound, Light
Andrea K. Schlehwein
Dance + Creation
Unita Gay Galiluyo, Andrea Maria Handler, Georgia Kapodistria,
Simona Piroddi, Arnulfo Pardo Ravagli
Costume
Midori Kawamura
Trainingsleitung
Arnulfo Pardo Ravagli
Trainings
Arnulfo Pardo Ravagli
Simona Piroddi
Support
Brigitte Büsken
Fernando Nicolás Pelliccioli
Photos
Martin Schinagl
Production Manager
Eleonore Schäfer
Production Office
büro für tanz I theater I produktionen
Information and Ticket Reservation
kunst im stift / Stift Millstatt
http://www.andreakschlehwein.com
andreakschlehwein@yahoo.de
Büro Fon. +43 4766 35250
Venue
kunst im stift / Stift Millstatt
Stiftgasse 1
A – 9872 Millstatt
Theater Halle 11 / Klagenfurt
Messeplatz 1 / 11
Florian – Gröger Str. 11
A – 9020 Klagenfurt
TEL. + 43 463 31 03 00
EMAIL. theater@klagenfurterensemble.at
WEB. http://www.klagenfurterensemble.at
Funding
Bundeskanzleramt Österreich
Land Kärnten
Stadt Klagenfurt
Marktgemeinde Millstatt
Österreichische Bundesforste

Sunday, October 25, 2015

TANZ IM NOVEMBER / quick announcement

Tanz Im November / plakat-2Andrea K. Schlehwein and Netzwerk Aks
warmly invite you to TANZ IM NOVEMBER!
TANZ IM NOVEMBER will include the NETZWERK AKS performances of  “Things We Lost in Fire”, “Time Code 9733”, “ALICE : facing the future expecting death dust and hope” and “todo tiene que desear al nada” as well as the event POSITIONEN 015: Discourse & Dialogue in Contemporary Dance Carinthia (16. – 22. November 2015).
During this Symposion in motion you will be able to see the guest performances of Tanzfuchs Production: “Alles im Eimer” and eva & eva: “relate two trust”

Sunday, October 18, 2015

KÄRNTEN – TANZ IM NOVEMBER / Article by Ditta Rudle

Friday, July 17, 2015

Carinthian artists notably absent from local festival

A Hein Spectrum note
Visitors eyes were opened by a peek into the Spectrum Festival program and their opening ceremony in front of Villach’s city hall.  Not one single performance is from Carinthia, yet very high quality works are coming from outside the province. Due to the emigration of artists and artistic circumvention within this amateur and domestic scene where alpha-male behavior prevails, all that remains is astonishment over imports like „Betontanc & Umka“ (Laibach/Riga, photo), which was a brilliant substitute for the originally planned but prohibited-by-lack-of-funding Carinthian opening production, love me hate me kiss me bite me by Andrea K. Schlehwein with Netzwerk AKS. More information available at www.festivalspectrum.com.
Hein, Die Krone, 3. July 2015, translated by hrgb.

Friday, June 26, 2015

Review: time code 9733 / Andrea Hein


AKS received well-deserved applause upon the conclusion of her latest and boldest choreographic experiment to date. time code 9733, presented at ART SPACE in Stift Millstatt, integrates audience and fantastic dance technique, and examines a universe built upon reality and vision. The work pulled viewers into the performance by allowing them to move freely within a precisely calculated, changeable spacial installation with live-designed film projections – and quite successfully! Excitement and curiosity drew viewers from a dark chamber, disjointed by grand cinematic images depicting both ideal and broken worlds of memory and fantasy, into a room of light.
There, a group of diverse dancers, which even included an 8-year-old boy (!), built upon that which had been rescued from the darkness in a far-east-inspired “ritual” with symbolic use of feathers, a chalice and a crown. A worthwhile experience!
Andrea Hein, Die Krone, 30. May 2015
translated by hrgb